Movie: Ghajini
Cast: Pradeep Rawat, Asin Thottumkal, Khalid Siddique, Aamir Khan, Jiah Khan
Director: AR Murugadoss
Producer: Allu Arvind, Madhu Varma
If you can digest an overdose of physical violence, then Ghajini is a film you shouldn’t miss for Aamir Khan’s unforgettable performance.
It’s been years since I saw a Hindi film that had so few dialogues for the leading man. Quite unlikely for a masala movie about romance and revenge! Stoically, Aamir Khan walks and rips through the film with the charm of a Casanova and the beastliness of a vengeful man, and delivers a performance that will be remembered even though the movie itself may be forgotten after a few months.
‘Ghajini’
is a film that ought to be seen for the sheer novelty of its theme. Inspired – and to some extent, lifted – from Hollywood’s ‘Memento’, it tells the story of a man who can’t remember anything beyond 15 minutes. He suffers from short term memory loss. But somehow he has found ways to remind himself of just one thing – that he has to find and kill the man whose name his murdered lover ( Asin ) whispered in his ear just moments before he too was hit on the head with an iron rod, never to fully recover his memory again. So, through tattoos and polaroids and notes he keeps reminding himself of just one aim – to find Ghajini, the killer whose face and whereabouts he neither knows, nor can remember.
As our amnesiac hero, Sanjay Singhania (Aamir), closes in on Ghajini and goes about bumping off one bad guy after another, we are given repeated flashbacks into his past life, when he fell in love with a struggling model Kalpana (Asin), an Indianized version of the French ‘Amelie’ who helps the poor and needy on the streets. It is this very quality of Kalpana that makes her the target of a gangster, who hunts her down and kills her.
Now, Sanjay, with his limited memory and eight pack abs, lives for one purpose – revenge. He is like a loose canon, a self-propelled torpedo that keeps veering off the course and leaves behind a trail of broken bones, wrung necks and pummeled jaws wherever he passes through.
And oh! I almost forgot. There’s also Sunita ( Jiah Khan ), a medical student interested in the case study of our amnesiac hero. She’s a frail collegian who hinders and helps Sanjay in his mission.
Director A.R. Murugadoss tells a long story at a brisk pace and shows no frugality in depicting violence in all its goriness. It is blood curdling stuff gruesomely glorified. Stuff that gives you the heebie-jeebies! It’s mostly hand-to-hand combat with frequent use of iron rods that serve the sole purpose as skull-crushers. Repulsive!
But if you have stomach for such revolting violence, you would enjoy sitting through ‘Ghajini’ for many reasons. First, it’s unique plot. Second, Aamir’s mind-blowing acting. Third, Asin’s confident debut in a heart-winning performance. Jiah Khan is appropriately cast in a role that doesn’t demand much from her. Pradeep Rawat, as the antagonist, is menacing.
There is a gaping hole that yawns right at the very base of Ghajini’s story. If a man can’t remember that his lover was killed or who killed her, why does he need to remind himself again and again to take revenge. Wouldn’t his vengeance wane away with his memory? Murugadoss should have established some internal link that keeps pushing the protagonist back to his mission – something like sporadic dreams or memory flashes.
Anyway, realism is something you shouldn’t expect from ‘Ghajini’. It’s a full-on masala film that is stylishly shot and has above average music by A R Rahman . It’s a film that needs to be enjoyed with mouthful of cola and fistful of popcorns even though the no-holds-barred violence keeps getting on your nerves. Despite its long duration of three-plus hours, the movie, with its quick pace, doesn’t weigh heavy, and leaves you with a mind out of time. Anterograde Amnesia, anyone?
Rating: ****
Ghajini - Movie Review
Movie Review : Rab Ne Bana Di Jodi
Movie: Rab Ne Bana Di Jodi
Cast: Vinay Pathak, Shahrukh Khan, Anushka Sharma 
Director: Aditya Chopra
Producer: Yash Chopra, Aditya Chopra
It is Shahrukh Khan who lights up your life with his superb performance even though Aditya Chopra makes a mess of the heart-winning love story with an overdose of weepy melodrama in the second half of Rab Ne Bana Di Jodi .
Friends! The director who made arguably the best Bollywood love story of the 90s ( Dilwale Dulhaniya Le Jayenge ) returns a slightly evolved filmmaker with realistic sensibilities that reek of Shimit Amin’s style in Chak De India , but not without the baggage of weepy sentimentality that has by now become synonymous with the Yashraj stamp. ‘Rab Ne Bana Di Jodi’ is a love story you almost want to believe in. And you do believe it until the film runs past the half-way mark, when the director tries to repeatedly unleash one tear-jerking moment after another on the popcorn munching audiences, thus robbing the story of its credulity.
Much has changed since Aditya Chopra had his last outing in Mohabbatein eight years ago. Today’s i-Pod generation doesn’t have much appetite for the drama that once got the kerchiefs out. Now, it only gets the i-Pods out. Before the final fifteen minutes of the film, the love story nosedives into regression and you are told that lovers have begun to see ‘Rab’ (no less) in each other. Why Aditya? Is love any less if you don’t? Can’t one see the lover as who he or she is?
But many thanks to Shahrukh (with due apologies to the staunch SRK¬ bashers) for holding the film together without overacting his part. This is perhaps the best performance by the superstar yet.
Surinder Sahni (Shahrukh) returns to his town Amritsar with a reluctant bride Taani ( Anushka Sharma ). She was set to marry another man who died in an accident on the day of the wedding and a twist of events made her take saat phere with Surinder instead.
The two make an odd match. She is a good-looking Punjabi kudi with suppressed jubilance, and he – in his full sleeve shirts and loose pants over sports shoes – is as ordinary and clumsy as a man could be. Even though Surinder loves her, he doesn’t express it to Taani, hoping that haule haule she would begin to love him. But that day doesn’t come, and Surinder decides to transform himself into the kind of man his lonely wife would admire – a hip dude in narrow-fit jeans, studded boots and ragged tee-hee shirts.
In his new avatar as Raj, he becomes Taani’s dance partner in a competition. And even as he makes her laugh and relive life, she doesn’t realize that Raj is the same ordinary man she makes toasts for every morning. So the irony of this love story is that the more Taani is drawn towards Raj, the more Surinder loses her. And Surinder cannot be Raj forever.
To be fair to the director, he has penned a nice story with some fine dialogues and situations that keep a perpetual smile on your face. The meek and submissive protagonist (played brilliantly by SRK) may be the story’s underdog, but your heart goes out for him. He is a man who amuses you with his ordinariness. And he evokes sympathy (not the pitiful kind) when you see him locked in a losing battle with his other fictitious half in winning over his wife’s love.
If only Aditya Chopra had restrained himself and not stretched the drama to the point when it begins to weigh heavy.
SRK is the pivot on which the whole movie rests, and he rocks ‘Rab’ despite his facial lines that make him look a tad mature to romance a 20-something damsel. The body language, the mannerisms and the expressions he lends to his nerdy Surinder is the stuff you see from polished actors. Anushka has a few rough edges in her acting but considering it’s her debut, she does pretty well. Vinay Pathak – the only third character in the story – plays Surinder’s gaudily dressed buddy who runs a hair salon and advices him on how to be “macho”. This is perhaps the first time Pathak has played such a flashy character and he does it extremely fine.
Despite its average music and post interval bumps, ‘Rab Ne Bana Di Jodi’ is eminently entertaining. There’s also a surprise medley of old Hindi film songs picturized on SRK and a bunch of beauties like Kajol , Bipasha Basu , Lara Dutta , Preity Zinta and Rani Mukherjee in glamourous cameos. The best part of the film is the finale of the dance competition and also the closing credits that send you home smiling ear-to-ear.
For a such touching moments as these in the film and for SRK’s stellar performance, ‘Rab Ne Bana Di Jodi’ is definitely worth a watch.
Ek Chance Maar Le.
Rating: ****
