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1920 - Movie Review

Bollywood Movie: 1920
Release Date: 12,Sep 2008
Director: Vikram Bhatt
Producer: Surendra Sharma, Mrs. Bhagwati Gabrani, Amita Bishnoi
Cast: Rajneesh Duggal, Barkha Bhist, Dilip Thadeshwar, Amita Bishnoi, Vipin Sharma, Sri Vallabh Vyas, Amin Hajee, Ashish Pradhan, Rushitaa Pandya, Adah Sharma, Anjori alagh, Raj Zutshi, Smita Hai





Film Director Vikram Bhatt is all set with his latest venture titled 1920, a period horror film, produced by Mr. Surendra Sharma, Mrs. Amita Bishnoi and Mrs. Bhagwati Gabrani of ASA Production and Enterprises Pvt. Ltd. of MUMBAI SALSA fame.

Vikram Bhatt’s horror movie ‘1920’ doesn’t leave you zombied. But it does scare you enough to have a few sweaty, sleepless hours when you hit the bed at night.
The movie derives its title from the year it’s set in, when huge mansions (in present-day Yorkshire) stood tall on the suburbs of Mumbai and horse-drawn carriages plied on dusty grounds carrying dandy men in suits and women in Victorian gowns and hats. Sadly, there aren’t any buxom ladies in tight corsets here.

Rajneesh Duggal plays Arjun, an architect, and Adah Sharma plays his catholic wife, Lisa. The couple, wedded despite parental disapproval, arrives at a haveli that the suave architect plans to convert into a hotel as his big project. The only trouble is – the haveli is haunted by a spirit that eventually possesses Lisa. Even as the girl transforms from a beautiful bride to a withered zombie that talks in multiple voices and levitates in bed, the guy doesn’t run away but stands beside her, his love unshaken, until he finds a way to exorcise her of the demonic spirit.

Plotwise, ‘1920’ doesn’t offer anything remarkably novel or nightmarish. It abounds with clichés that collage any typical horror film – a large, empty and dimly-lit mansion with huge portraits staring down ominously at its audience. Or its rich architecture that glistens through the shifting shadows. Or a lantern-carrying housekeeper with mysterious facial expressions.

Despite this, the film works to an extent because Vikram Bhatt holds it tight until the very climax. The director lays the ground in the first half and shoots up the scare-quotient in the second half considerably enough for you to feel a full bladder mid-way through your carbonated drink.
The film also works because its actors, Rajneesh Duggal and Adah Sharma, deliver credible performances in aptly-suited roles. Adah’s blanched complexion particularly makes her well-suited to play a possessed girl. Raj Zutsi as the scowling priest is too stilted.

The music is quite evocative except the Rakhi Sawant number which stands out like a sore thumb in this sufficiently spooky tale.

Just don’t go expecting too much and there are chances that you might get some paisa-vasool scares.
Rating: **1/2
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The Last Lear - Movie Review

Movie: The Last Lear
Release Date: 12,Sep 2008
Director: Rituparno Ghosh
Producer: Planman Motion Pictures
Cast: Amitabh Bachchan, Arjun Rampal, Divya Dutta, Jishu Sengupta, Preity Zinta, Shefali Chhaya



PVR Pictures is all set to release Amitabh Bachchan's first English film - THE LAST LEAR in Indian Cinemas on September 12th.

This is PVR's second initiative with Planman Motion Pictures having previously distributed MITHYA.

When it comes to recommending this movie to someone, ‘The Last Lear’ leaves you in a Shakespearean dilemma – To see or not to see.
The movie, like any certified Rituparno Ghosh film, is contemplative, subtle, languid, and therefore not to the tastes of those Bollywood buffs who relish on star-studded potboilers. Of course, ‘The Last Lear’ has stars – and a towering one at that – but it doesn’t cast them in larger-than-life roles. Here, they are ordinary humans with their follies and foibles.

‘The Last Lear’ opens on a Diwali night in Kolkata. A movie titled ‘The Mask’ is set to premiere at a theatre while its leading man lies paralyzed in his bed at home, attended by a glum-looking nurse ( Divya Dutta ) and an ill-tempered wife ( Shefali Shah ).

Shabnam ( Preity Zinta ), the leading lady of the film, skips the premiere and pays a visit to the bedridden old man, Harish Mishra ( Amitabh Bachchan ) who likes to be called Harry (after all, what’s in a name).
As the three ladies (nurse, actress and wife) sit through the night ruminating on their personal lives, the movie keeps going into flashbacks of how Harry, the uncompromising theatre veteran addicted to Shakespeare, came to be this way.

Arjun Rampal plays Siddharth, a movie director who would do anything for a good shot. It was Siddharth who prodded Harry out of self-chosen hibernation by offering him the role of a clown in his movie ‘The Mask’. It turns out Harry’s last performance.

The best moments of ‘The Last Lear’ expectedly come from the man with the baritone. There is a moving scene when Harry – usually stern and eccentrically domineering – gets down on his knees and begs Siddharth to let him do the climax stunt himself. Or another one when Harry unravels his Shakespearean oratory to Siddharth. Or the scene in which a rather intrusive Harry compels Shabnam to scream out her pent-up anger.

Arjun Rampal is stunningly handsome and expressive. Shefali Shah is convincing as a peeved housewife with a soft corner deep inside. Preity Zinta shows flashes of brilliance in a few scenes, one of which is when she shakingly lights up a cigarette after an argument with her boyfriend on the phone. Divya Dutta is simply superb in a small role as a young nurse awaiting her boyfriend who never shows up.
Which brings me to the weak link in the film. ‘The Last Lear’ becomes a drag when it focuses on the sob tales of the three ladies about the suspicious, domineering and imposing men in their lives. Ghosh appears as an over-feminist in trying to highlight the angst of emotionally oppressed women. And this subplot is not merely restricted to a few reels. It runs parallel to the main plot through the course of the film.

Barring this utterly boring subplot, ‘The Last Lear’ is watchable, particularly for a terrific performance by Mr. Bachchan.
Rating: **1/2


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Saas Bahu Aur Sensex - Movie Preview

Movie: Saas Bahu Aur Sensex
Release Date: 19,Sep 2008
Director: Shona Urvashi
Producer: Jayshree Malhija
Cast: Tanushree Dutta, Kiron Kher, Ankur Khanna, Farooque Shaikh, Masumeh Makhija, Lillette Dubey, Sharon Prabhakar, Mukta Barve, Seema Azmi, Shahnaz Anand, Anoushka Anand, Farid Currim, Chirjyot Singh, Kiran Yadnopavit, Farrokh Mehta, Kartik Ramachandran, Kari



Shona Urvashi's SAAS BAHU AUR SENSEX (SBS) presented by WARNER BROS and produced by PLA Entertainment Pvt Ltd is slated to release all over on 12th September.

After giving silver jubilee hits such as, KHATTA MEETHA and CHASHME BUDDOOR, JALWA, HERO HIRALAL, CHATRAN, DOOSRA KANOON and most recently CHUPKE-SE PLA Entertainment is back with SAAS BAHU AUR SENSEX an original screenplay, in the urban comedy / drama genre.

Set against the back drop of a positive view of the stock market, SAAS BAHU AUR SENSEX stars an eclectic mix of young newcomers like Ankur Khanna, Tanushree Dutta & Masumeh Makhija and seasoned actors like Kirron Kher, Farooq Shaikh and Lillette Dubey amongst others.

According to the director Shona Urvashi SAAS BAHU AUR SENSEX is a fun film on the changing face of India. The story has the Sensex as a backdrop to lives of the most unlikely investors.
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Ru Ba Ru - Movie Preview

Movie: Ru ba ru

Release Date: 12,Sep 2008
DirectorArjun: Bali
Producer: Percept Picture Company
Cast: Randeep Hooda, Shahana Goswami
Ru Ba Ru

Percept Picture Company's latest venture RU-BA-RU hits the screens on 12th September. RU-BA-RU is a romantic thriller which will see Randeep Hooda romancing newcomer Shahana Goswami. The Film also stars, Rati Agnihotri and Kulbhushan Kharbanda in a very mystique role. The film is directed by noted Ad film maker Arjun Bali, who is also marking his debut with this film.

While lyrics are penned by Soumik Sen than the film's music is composed by three music directors Satyadev Burman, Samirruddin and popular band 'Strings'. RU-BA-RU is a modern day story of two ambitious individuals finding their destiny through the greatest human manifestation love, but of course with a twist!
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