Fashion - Movie Review

Movie: Fashion
Cast:Priyanka Chopra, Arjan Bajwa, Mugdha Godse, Arbaaz Khan, Harsh Chhaya, Sameer Soni, Kangna Ranaut, Kitu Gidwani
Producer:Ronnie Screwvala
Director:Madhur Bhandarkar


Madhur Bhandarkar’s ‘Fashion’ is a nice but overlong movie that could do with some snipping.
Running at the length of 17 long reels, the movie tells an unending human tale of ambition, success, degradation and re-emergence set against the backdrop of the fashion industry. At the centre of the story is Meghna Mathur ( Priyanka Chopra ) who comes to Mumbai to become a “supermodel”, against the wishes her father in Chandigarh.

From the moment she sets her foot in the glam world, Meghna is exposed to the superficialities and ugly realities of the glam world of appearances. It’s a world where men are fashionably gay and women are used as “eye candy” in elite parties. On her way up the ladder, Meghna has to make many compromises. She has to pose in lingerie just to get her portfolio made. She has to put her work above her personal life to climb the ladder of success.

As Meghna gets sucked into the world of fashion, she becomes a victim of her own success. She loses her boyfriend Maanav ( Arjan Bajwa ), a struggling model who opened his doors to her when she had nowhere to go. She loses her good friend Janet ( Mugdha Godse ) whom she befriended as a struggler. And, above all, she loses her self-respect and her confidence after being used and dumped by the modeling agency Panache and its owner ( Arbaaz Khan ).

Parallel to Meghna’s story is the brief tale of Shonali ( Kangana Ranaut ), a cocaine-snorting, cranky, lanky model who is a show-stopper at fashion shows. Like Meghna, Shonali, too, has been used and dumped by the glam world. The only difference is that Meghna bounces back after hitting the rock bottom, while Shonali bites the dust.

‘Fashion’ starts off pretty well as a viewer is introduced to the fashiondom with its pansy men and plastic-smile women. But the movie begins to drag in the second half, with Meghna’s downfall. It becomes too grim, too somber. And it drags on and on. Haute Torture? The movie overstays its welcome but ends on a high note, with some drama thrown in. Madhur Bhandarkar indulges in a lot of clichés (like gay designers and exploiting bosses) but perhaps they could not have been avoided. After all, clichés they may be, they reflect the truth. Trouble starts when Madhur’s passion with his subjects begins to supersede their relevance to the story. That’s where ‘Fashion’ becomes heavy, tiring and exhausting experience.

Priyanka Chopra is an actress who doesn’t have any definitive style to her acting but she is the soul of ‘Fashion’. She is an under-confident, middle-class girl at the beginning of the story and transforms into an arrogant model full of attitude in the second half before almost turning into a zombie with her fall from fame. Kangana Ranaut actually has a natural knack for playing the proverbial ‘girl interrupted’. She excels in the role of a disturbed model who eventually loses her mental balance.

On the sidelines, Arbaaz Khan is mechanical, while Arjan Bajwa is pretty good in his performance. Mugdha Godse doesn’t have much acting range. Kitu Gidwani is okay.

While ‘Fashion’ ends up testing your patience, it does have many things going for it. For instance, the styling of the actors done by Narendra Kumar, Rita Dhody and Rick Roy. The songs in the film are woven seamlessly into the plot and it is here some filmmakers in apna Bollywood can learn from Madhur. But Madhur ought to have been more controlled, restrained and less indulgent in the subject. Had he done that, ‘Fashion’ might have been a gripping film right to its conclusion.

Rating: ***

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Golmaal Returns Movie Review

Golmaal Returns
Cast: Ajay Devgan, Arshad Warsi, Celina Jaitley, Amrita Arora, Murli Sharma, Vrajesh Hirjee, Mukesh Tiwari, Ram Kapoor, Kareena Kapoor, Tusshar Kapoor, Shreyas Talpade, Anjana Sukhani, Sanjay Mishra, Ashwini Kalsekar, Preeti Bhutani, Rakhi Vijan

Producer:Dhilin Mehta
Director:Rohit Shetty

Three guys lying on top of each other in a position that would make you think that they are about to ‘ding dong’. Or imagine this. A guy falling through the air lands on his crotch on a pointed rock. Ouch!! That’s the kind of humour Golmaal Returns offers.

That this comedy film by Rohit Shetty is a no-brainer goes without saying. It’s a film that suspends reason and wit for juvenile humour. It has plenty of gags stitched one after the other in its threadbare script, but many of these gags are utterly lame. Like, what would be Lara Dutta’s name if she marries Brian Lara? Lara Lara. Hey! You’re supposed to laugh here. Ain’t that so funny?

The film hardly has a story to write about. Gopal ( Ajay Devgan ) has an over-suspicious wife Ekta ( Kareena Kapoor ) who’s hooked to the Balaji teleserials. One night when Gopal is unable to reach home after saving a girl ( Celina Jaitley ) from a bunch of goons, Ekta demands an explanation. Knowing his wife’s suspicious nature, Gopal tells her a lie that he was with his friend named Anthony Gonsalves. But Ekta is adamant. She writes to Anthony and asks to meet him to cross-check if Gopal is telling the truth.

To hide his lie, Gopal makes his junior Laxman ( Shreyas Talpade ) pretend as Anthony. Gopal also takes Ekta’s mute brother Lucky ( Tusshar Kapoor ) into confidence. Together the trio of Gopal, Lucky and Laxman fool Ekta into believing in Gopal’s lie. But their bluff is called when the real Anthony Gonsalves shows up.
To make things worse, enters inspector Madhav ( Arshad Warsi ) who is investigating a murder that happened on the night Gopal stayed out of his home. Now, Madhav is a cop who loves Gopal’s sister Esha ( Amrita Arora ), but he can’t stand the sight of Gopal.

As Gopal invents one lie after another, the story goes through a series of crazy and silly situations before culminating in an over-the-top climax.
Rohit Shetty’s main motto is to make the audiences laugh at any cost, and he does try sincerely. The only trouble is that some of the jokes are so slapstick and crass that you don’t find them funny at all. Like the scene in which Vrajesh Hirjee (the karate man with a cobra tattooed on his belly) is tortured by electric shock in a pool of water and is tossed scores of feet in the air whenever his tormentor dips the electrocuted wire in the water. The movie also takes repeated digs at Sanjay Leela Bhansali and his films Black and Sawariya . But none of it is really hilarious.

The funny moments in the film come from Tusshar Kapoor, Arshad Warsi and Shreyas Talpade. Ajay Devgan chips in a bit of his own style of humour but he is certainly outshone by others. Kareena is charming in a light-hearted role. Celina Jaitley doesn’t do what she is best at but still catches your eye. Amrita Arora and Anjana Sukhani hardly have a role.

To sum it up, ‘Golmaal Returns’ is a kind of film you would enjoy if you have a taste for silly humour. But if you don’t, then this movie is a waste of your precious bucks. Yuck! Back Luck! What the f…!

Rating: **

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