Star Cast: Ajay Devgan, Sanjay Dutt, Fardeen Khan, Bipasha Basu, Mugdha Godse, Asrani Director: Rohit Shetty
Producer: Ajay Devgan
Banner: Devgan Entertainment
Music Director: Pritam
Lyricist: Kumaar
Release Date: October 16, 2009
There is no end in sight to the woes of Veer and Prem, played by Fardeen Khan and Ajay Devgan. Veer, a wannabe rockstar, and Prem, a car aficionado, are good at one thing - cooking up lies and fooling other people to cover up their own truth.
Veer has been footing the bills of his luxurious life in Goa besides helping the cash-strapped Prem from the pocket money he gets from big brother Dharam (Sanjay Dutt) who doesn’t stay in Goa. Veer has lied to his brother that he’s married to Vidya (Mugdha Godse) to get thicker wads of pocket money. Prem, in turn, is married to Jhanvi (Bipasha Basu). She runs his ancestral gym with second hand treadmills that often speed up instead of stopping.
All is well, until Dharam shows up to meet his younger brother and his wife. Mistakenly, he takes Bipasha as Fardeen’s wife and Mugdha as Devgan’s girlfriend. What follows is a comedy of mistaken identities as Prem and Veer pile up lie upon lie to keep the charade going until times comes for Dharam to leave for his home in Lusoto. But then, there’s a coup in Lusoto and Dharam’s stay is extended.
On the sidelines there’s a menagerie of madcap characters including a tenant who’s eager to move into Veer’s sprawling bungalow. He’s turns up with all the furniture loaded in a tempo outside Veer’s house but gets a bashing from Dharam. Or the local don (Johnny Lever) who seems like the offspring of Sir Judah from Karz, for he talks with his cronies by jangling a spoon inside a glass.
Rohit Shetty, the director of ‘Golmaal’ series, comes up with a breezy, bouncy comedy that abounds with silliness but still packs in ample laughs. True to his signature style, the young director spices the comedy up with tons of action. Cars turn turtle, get blown, and even do the pirouette.
Ajay Devgn (with an ‘a’ flicked out of his surname) does some dangerous stunts besides showing his comic flair. He is best in the scenes with Sanjay Dutt. Playing a suspicious brother given to groping the women around him in moments of panic, Dutt becomes the catalyst for humour in many a scene. Fardeen is lovable as the over-the-top goofball. Bipasha and Mugdha are mainly there to glam up the comedy. Johnny Lever and Sanjay Mishra chip in with their brand of humour.
The movie could have done better without a song (Pritam) or two - they’re peppy but nothing to hum about. The action is good but the climax - when a bunch of Africans land up in Goa - gets a bit chaotic.
Still, the movie is fun to watch.
Rating: ***
All The Best Movie Review
Bollywood Movie Wanted Review
Cast Salman Khan, Ayesha Takia, Mahesh Manjrekar, Asseem Merchant
Director Prabhu Deva
Rating: **1/2
‘Wanted’ is Salman Khan’s Ghajini. No, he doesn’t suffer from any short-term memory loss in the film. Rather he mouths about half a dozen times the dialogue: “Ek baar maine jo commitment kar di, phir main apni bhi nahin sunta”. But, like Aamir, Sallu does get to flaunt his rippling muscles, his biceps, triceps, abs, and what not (including the glint of his Vicco-vajradanti teeth), in a series of bone-breaking, jaw-crushing, blood-spluttering fights that makes you feel he’s the ‘last action hero’ that sadly came too late in the day.
Salman Khan, the darling of masses, plays to the gallery in Wanted. To an extent, the movie is a showcase of Salman’s looks, his brawny bod, his dance moves and his overall personality, save his acting. And the star, whose career obit has already been penned and will now be edited by his detractors, manages to pull it off with the flamboyance that will get wolf whistles and catty squeals from his loyal fans. Ceetee!!!
A remake of the South hit Pokkiri, ‘Wanted’ tells the story of a sharpshooter and serial bone-breaker named Radhe (Salman Khan), the man who shoots his gun and pumps bullets into his rivals as if he was forwarding an SMS joke to a pal. Cold blooded and only loyal to those who offer him the most wads of money, Radhe switches sides from one gang to another and makes his entry into the gang of Gani Bhai (Prakash Raj), the dreaded gangster on the most wanted list of Mumbai police.
The handsome killer loses his heart to a cute call-centre employee Jhanvi (Ayesha Takia) at first sight. When Radhe saves her from the frisky hands of a corrupt and testosterone-driven cop Talpade (Mahesh Manjrekar), Jhanvi too feels her heart beat and soon is in love with Radhe.
Even as the duo’s love story keeps hitting speed bumps, Radhe is sucked inside a deadly gang war.
Be ready for a twist in the second half that might hit you harder than Salman’s punches hit the baddies.
It’s strongly advisable to rest and resign your thinking faculties while watching ‘Wanted’. Alone, Salman bashes up a dozen goons blue and black in his intro scene and in the next scene is shaking his leg with the likes of Anil Kapoor, Govinda and Prabhu Deva (who pop out of nowhere for this cameo) in a Ganpati song. More than once in the film, a romantic song or a club number is thrown in at the oddest of places. The most bizarre is the end, when Salman walks into the den of the Mafioso Gani Bhai and goes bang, bang, bang, and shoots down everyone without getting as much as a scratch on his shirtless body (yes, Sallu doffs it again).
But then, given that ‘Wanted’ is no cerebral challenge to its viewers, but just a harmless, full-on masala entertainer, a viewer can flush these flaws down with cola and corns.
‘Wanted’ rests on the strong muscles of Salman and powerful performances by Prakash Raj and Mahesh Manjrekar. Ayesha Takia is a treat to the eyes and she can act as well (a combination hard to find). Vinod Khanna is wasted in the most shoddily written role in the film. In fact, some of the dialogues in the film leave you cringing. Sample this - Salman takes on a bunch of goons single-handedly and says “Sooar (pigs) jhund mein ghoomte hain, par sher ekele shikar karta hai.”
Thankfully, director Prabhu Deva sprinkles ‘Wanted’ with regular doses of humour to keep the violence-filled movie light-hearted. Even until the very end when Sallu shoots his last bullet, there’s some silly laughter to be had.
So even though the film is senselessly violent at times, you’ll find some fun in the edgeways.
Main Aurr Mrs Khanna
Movie:Main Aurr Mrs Khanna
Star Cast:Salman Khan (Sameer Khanna)
Kareena Kapoor (Raina Khanna)
Sohail Khan
Preity Zinta (Haseena Jagmagiya)
Produced By Sohail Khan and Ronnie Screwvala
Directed By Prem Soni
Music By Sajid Wajid
Main Aurr Mrs Khanna is upcoming Indian Hindi Film that stars Salman Khan, Kareena Kapoor and Sohail Khan in leading roles. It is a joint production of Sohail Khan Productions and UTV SpotBoy Pictures. This film is produced by Sohail Khan and Ronnie Screwvala and Directed by debutante Prem Soni.
This film is revolves around the theme of extramarital affair. Sameer Khanna (Salman Khan) and Raina Khanna (Kareena Kapoor) who have a fairytale marriage. They have a great life but one wrong decision leads them to parts their ways.
New York - New Bollywood Movie
Movie: New-York
Cast: John Abraham, Katrina Kaif, Neil Nitin Mukesh, Irrfan Khan
Writer: Aditya ChopraCostume Designer: Rocky S.
Director: Kabir Khan
Producer: Yash Chopra, Aditya Chopra
Banner: Yash Raj Films
Singer: Kay Kay, Sunidhi Chauhan, Mohit Chauhan, Pankaj Awasthi
A star-spangled film that starts off well, builds the plot nicely, but goes completely hay wire in the second half, New York is long, tiresome, but well intentioned.
It opens with the distinctly unique skyline of New York, with the twin towers ominously missing. The SWAT team sweats overtime to round off a terror suspect, Omar ( Neil Nitin Mukesh ), who finds himself in the FBI net after arms and ammunition is found from the trunk of a car owned by him. FBI agent Roshan ( Irrfan Khan ) grills Omar and wrings out all info about Sam ( John Abraham ), Omar’s friend, who the FBI agent claims, is running a sleeper terrorist cell that could strike America anytime.
As Omar narrates the story of his friendship and unrequited love with Sam and Maya ( Katrina Kaif ) we are flashbacked to the year 1999 and on to the campus of New York State University where the three friends (studying god knows what!) bond over chess and American football. They seem like the happiest bunch of buddies in the world until the clock ticks to that fateful day, 9/11, 2001, when, just like the twin towers of WTC, their world comes crashing down.
Back to the present, Roshan, the FBI agent, convinces Omar to go back to Sam and Maya – who are now married and have a cute, long-haired kid – and infiltrate Sam’s sleeper cell as an undercover FBI operative.
Omar, who is sure that his friend Sam could never be a terrorist, takes up the offer, not so much to expose Sam’s truth but prove his (Sam’s) innocence. Little did he realize that his buddy Sam or Sameer Sheikh has a past he doesn’t know of!
From then on, director Kabir Khan tries to delineate the insidious process of the making of a terrorist – how a security-obsessed nation, in its bid to prevent terrorism, ends up creating new terrorists. Alongside it unravels the dilemma of Omar who can’t betray his friend but is willy-nilly drawn to prevent him from committing any terrorist act.
It all boils down to a climax so shoddily imagined and executed that you cease to relate to any of the characters. And the end, which should have ideally given you goose bumps only leaves you itching to get out of the theatre, the heat outside notwithstanding.
Irrfan Khan and Neil Nitin Mukesh are the two towers of ‘New York’. Irrfan, despite being given a few preachy sequences (in which he talks about introspection within the Muslim community and also the new America which is more accepting) lives up to his mettle, while Neil holds the film together with an earnest and sincere performance punctuated with flashes of brilliance.
It’s John, all butt and biceps, who’s the weak link. I know girls love him but John fails to internalize his character of a seething, simmering man who’s been done wrong. Katrina Kaif takes a leap from being all beauty and no talent. Now, she can cry convincingly. A special mention must be made of actor Nawazuddin who plays John’s assistant named Zilgai, an emotional wreck haunted by the torture he underwent under police detention.
Its flaws apart, ‘New York’ does have some very nicely executed sequences. One such is when Zilgai is cornered by cops atop the terrace of a high rise and decides to jump to death. In his final moment as he remembers his god, the last thing he sees is a church in a distance. Or that sequence when John goes to the downtown Brooklyn market with a codeword to contact a sleeper cell. The torture sequences (filmed on a nude John) are more shocking because of their content than execution.
The film’s music is pretty good and unlike other Bollywood flicks it doesn’t impede the story’s progression. The cinematography is nice but the director overdoes the slow-motion shots.
Saddled with a plot-holed script and poor performances from half of its starcast, ‘New York’ falls short of expectations. Watch it if you have three hours to kill.
Rating: **1/2
Movie Trailer
99 Bollywood movie review
Cast :Vinod Khanna, Kunal Khemu, Soha Ali Khan, Boman Irani, Mahesh Manjrekar, Simone Singh, Cyrus Broacha
Nothing is more frustrating than being stuck on 99, where only one run can bring you glory or the lack of it can make all your hard work seem like a waste. The Laurel and Hardy of this Friday’s release 99 are stuck in a similar situation. The world is their playing field, and con is their game.
The year is 1999. Sachin ( Kunal Khemu ) and Zaramud ( Cyrus Broacha ) are the Laurel and Hardy of our story. They make fake SIM cards and are sucked into a bigger mess when they steal and crash a gangster’s Mercedes while running away from cops. To save their skin, the duo are forced to work for the ganglord AGM ( Mahesh Manjrekar ), who is a bookie and has a long list of people to recover his money from. In the list is Rahul ( Boman Irani ), a gambling addict always looking for ‘signs’ and ‘signals’ as favourable or unfavourable omens to bet or gamble his money, if he has any.
AGM
sends Laurel and Hardy to Delhi to recover money from Rahul. Before the duo go about their dirty job, Laurel loses his heart to Pooja ( Soha Ali Khan ). Not just this, the two crooks also end up losing the money they forcibly recover from Rahul. Thereafter, begins a mad chase, where Laurel faces robust goons with fists and kicks, while the barrel of a Hardy spends most of his time in toilet, unloading himself of the butter chicken of previous night.
The director duo of Raj Nidimoru and Krishna D.K. must be lauded for making a refreshingly delightful film with ample funny moments. The humour in the film – expressed in situations and crispy dialogues – is not of the kind we see in typical Bollywood no-brainers. At times it’s witty, at times pure slapstick. Note that sequence about Delhi being a strange city where girls are either named Pooja or Neha, where it’s cold in March, where spoiled brats play loud music in cars, and where everyone is out to steal your stuff. All these things actually transpire in the unraveling of the plot.
Though the pace of the film slackens at few places, the performances by the cast keeps you hooked for most part of the film. Kunal Khemu is totally at ease playing his character while Cyrus Broacha goes over the top a few times. Boman Irani gets the meatiest role in the film and he slips convincingly into his character of an employee in a forex firm whose wife has left him because of his gambling addiction. Soha Ali Khan has a brief role and she plays it well. Mahesh Manjrekar is a delight to watch.
The most surprising of the lot is an actor named Amit Mistry who plays a pint-sized goon out to recover his money from Rahul. There’s also an impactful cameo by Vinod Khanna , as a cricket match fixer.
The film’s music and cinematography are top grade and not once do they hamper the story’s flow.
With its tight script, fine performances and refreshingly different story, ‘99’ turns out to be a total paisa vasool film not just for its characters but also for audiences.
Do give it a shot.
Rating: ***
Movie Firaaq Download - Free Hindi Movies For Download
Cast: Naseeruddin Shah, Paresh Rawal, Sanjay Suri, Shahana Goswami, Raghuvir Yadav ,Tisca Chopra
Cinematography: Ravi K. Chandran
Editing: Sreekar Prasad
Art Direction: Gautam Sen
Screenplay: Nandita Das, Shuchi Kothari
Story Writer: Nandita Das, Shuchi Kothari
Director: Nandita Das%20of%20DSC_0065.JPG)
Free download full movie - Firaaq
Part 1
Part 1
Part 1
Free Download Gulaal - Bollywood Movie
Cast: Kay Kay Menon, Aditya Shrivastava, Piyush Mishra, Deepak Dobriyal, Ayesha Mohan
Producer: Zee Limelight
Director: Anurag Kashyap
Music Director: Piyush Mishra
Lyricist: Piyush Mishra
Cinematographer: Rajeev Ravi
Editor: Aarti Bajaj
Art Director: Wasiq Khan
Story: Anurag Kashyap, Raja Chaudhary,Aparna Chaturvedi
Full Download Hindi Movie Gulaal
Part 1
Part 2
Part 3
Part 4
Firaaq - Movie Reviews
Cast: Naseeruddin Shah, Paresh Rawal, Sanjay Suri, Shahana Goswami, Raghuvir Yadav ,Tisca Chopra
Cinematography: Ravi K. Chandran
Editing: Sreekar Prasad
Art Direction: Gautam Sen
Screenplay: Nandita Das, Shuchi Kothari
Story Writer: Nandita Das, Shuchi Kothari
Director: Nandita Das
Shocking, disturbing and thought-provoking, Nandita Das’s movie Firaaq touches a raw nerve.
Admittedly a work of fiction claimed to be inspired from thousands of true stories, ‘Firaaq’ (meaning quest, or separation) mirrors the gruesome reality of the Gujarat riots in which many Muslims and Hindus were slaughtered.
‘Firaaq’
provides us a peek into the after effects of the riots by taking us into the minds of the characters that populate its parallel stories. The gravity of the subject is established in the opening reel when a truckload of dead bodies are dumped into a mass grave.
A homeless boy Mohsin wanders the streets in search of his Abu. A middle-class housewife Aarti ( Deepti Naval ) battles her guilt of having shut the door on a desperate Muslim woman pleading for life. A Muslim-Hindu couple, Sameer and Anu, ( Sanjay Suri and Tisca Chopra ) grapple with the altered reality of their surroundings and plan to leave the city. A group of Muslim men gang up to take revenge. An ageing musician Khan Saheb ( Naseeruddin Shah ) is unable to comprehend the senseless violence and massacre. Two sahelis, Munira and Jyoti ( Shahana Goswami and Amruta Subhash) manage to stick together in the environment of communal hate and suspicion.
With calculated restraint, sensitivity and subtlety, ‘Firaaq’ tells the story of these characters in a bid to rattle the conscience of the viewers and make them realize the horrendous crimes that took place in the Gujarat of 2002.
However, it needs to be said that some might find the film one-sided because it repeatedly portrays the victimization of Muslims – be it a cop telling a Sameer Shaikh (Sanjay Suri) to buzz off to Pakistan, or a local resident dropping a heavy stone slab on a man’s head just because he is a Muslim.
But all in all, Nandita Das does a fairly decent job of telling a multi-layered story with seamless clarity. The performances are top notch, particularly by Deepti Naval, Shahana Goswami, Naseeruddin Shah and Paresh Rawal , who plays a middle-class, anti-Muslim Gujarati trying to cover up the rape committed by his young brother.
Looking beyond the film’s theme, ‘Firaaq’ is a cinematic gem with excellent cinematography (Ravi Chandran), well-penned screenplay (Nandita and Shuchi Kothari) and evocative background score.
Despite its somewhat narrow perspective, it’s a film made with conscience and noble intention, as reflected in a scene in which Raghuvir Yadav (a domestic help) tells Naseer that Muslims are being killed. Naseer replies: “Insaan Insaan ko maar raha hai, gham toh iss baat ka hai. A statement that entreats us to see humans beyond their religions, it pretty much encapsulates the soul of ‘Firaaq’.
Definitely worth a watch.
Rating: ****
Gulaal
Cast: Kay Kay Menon, Aditya Shrivastava, Piyush Mishra, Deepak Dobriyal, Ayesha Mohan
Producer: Zee Limelight
Director: Anurag Kashyap
Music Director: Piyush Mishra
Lyricist: Piyush Mishra
Cinematographer: Rajeev Ravi
Editor: Aarti Bajaj
Art Director: Wasiq Khan
Story: Anurag Kashyap, Raja Chaudhary,Aparna Chaturvedi
Stories about a simple man’s anger and outburst against the corrupt, corroding system have been seen and forgotten by the dozen, and Anurag Kashyap’s angst-ridden Gulaal turns out to be just a statistical addition to the list.
True, the movie is hard-hitting and a telling statement on the degeneration in the political structure both at the micro level of student politics and the macro level of power-hungry, tyrannical megalomaniacs who stop at nothing to realize their political ambitions. It starts off pretty well as Anurag Kashyap introduces the characters, and it develops momentum as the murky motives are unveiled. The movie, however, becomes a hodgepodge in the second half as it climaxes to a blood curdling crescendo all because of a one-sided love story gone horribly wrong.
Dilip
Singh ( Raj Singh Chaudhary ), a simple, soft-spoken nerd comes to Rajasthan to study law but gets unwittingly sucked into the vortex of student politics after his roommate Rananjay (Abhimanyu Singh), a candidate contesting college elections, is bumped off.
Dukey Bana ( Kay Kay Menon ), an influential figure who dreams of wedging out a splinter Rajputana state, takes Dilip under his wing and makes him win the post of General Secretary through rigged elections.
Dilip’s rival in the elections, Kiran (Ayesha Mohan), and her cunning brother (Aditya Shrivastava) are unable to digest their defeat. Kiran lures Dilip with love and sex. And he – like any able man in his right senses – succumbs to the temptation. But gradually the dirty, murky political game is revealed to Dilip as he finds Kiran take over political powers from him and dump him and move on to play her amorous tricks on the bigger shark – Dukey Bana.
Hell hath no fury like a lover scorned. Dilip, the simple, gullible, bespectacled wimp who was ragged into spending days naked inside a room with a female professor ( Jesse Randhawa ) when he joined the college, now takes to the gun after realizing that he’s been used as just a pawn in the bigger game.
‘Gulaal’ is essentially a character driven story that seems to get too verbose at places. The dialogues are expectedly sprinkled with expletives because the director apparently wanted them to sound ‘real’. The cinematography by Rajeev Ravi is superb. Music and lyrics by Piyush Mishra are intriguing.
If there’s anything truly worth watching in ‘Gulaal’ it’s the performances by the ensemble of talented actors from Kay Kay Menon as the devious Dukey Bana to Deepak Dobriyal as his assistant or Mahi Gill as his mistress.
Newcomer Raj Singh Chaudhary has an unassuming persona and convincingly portrays the inner transformation of his character. Ayesha Mohan and Aditya Shrivastava as the brother sister duo are terrific in their individual performances.
All said, ‘Gulaal’ is a seething, simmering, but tortuously predictable tale of all that’s rotten in the system. All through the movie you get an uncanny feeling that the director has pooled all his anger, angst and cynicism against the system and spewed it on the screen to be smacked at the faces of hapless viewers in the form of ‘Gulaal’.
Frankly, there’re better things to do with your time and money than have a taste of someone else’s angst.
By Nikhil Kumar
Film critic, ApunKaChoice.Com
Oscars AWARDS 2009 -'Slumdog' is the big winner
The most electrifying performance of the Oscar night came from none other than A R Rahman who took the stage and sang his two nominated songs from Slumdog Millionaire .
Just moments before he stepped on stage with the microphone, the prodigious composer created
history by becoming the first Indian music composer to win an Oscar for his music in ‘Slumdog Millionaire’. Dressed in a black bandhgala (a traditional Indian outfit), Rahman even cracked a popular dialogue from Hindi films – ‘Mere Paas Maa Hai’ – (I have mother) to thank his mother and quipped a quick thanks to God in Tamil.
Then he dashed backstage and re-appeared moments later to perform his songs ‘O Saya’ and
‘Jai Ho’ with a troupe of dancers. Rahman himself sang the numbers and left the audiences
thrilled with his scintillating performance.
As the double treat, his won his second Oscar of the night for “Jai Ho” that has lyrics by
Gulzar .
In his acceptance speech, Rahman thanked his entire crew and added in the end: “In my life I have had to choose between love and hate. I chose love and I am here today.”
The whole Kodak Theatre reverberated with applause.
Back home in India, a billion hearts erupted with joy.
“Jai Ho,” Rahman.
TOP OSCAR AWARDS
Best Picture
SLUMDOG MILLIONAIRE
Christian Colson
Best Actor
Sean Penn
For :MILK
Best Actress
Kate Winslet
For :THE READER
Directring
For: SLUMDOG MILLIONAIRE
Danny Boyle
Music
SLUMDOG MILLIONAIRE
"Jai Ho"
Music by A.R. Rahman; Lyric by Gulzar
For More information visit: Oscar.Com
Source: ApunKaChoice
SLUMDOG MILLIONAIRE -A R Rahman rocks the Oscars
The most electrifying performance of the Oscar night came from none other than A R Rahman who took the stage and sang his two nominated songs from Slumdog Millionaire .
Just moments before he stepped on stage with the microphone, the prodigious composer created
history by becoming the first Indian music composer to win an Oscar for his music in ‘Slumdog Millionaire’. Dressed in a black bandhgala (a traditional Indian outfit), Rahman even cracked a popular dialogue from Hindi films – ‘Mere Paas Maa Hai’ – (I have mother) to thank his mother and quipped a quick thanks to God in Tamil.
Then he dashed backstage and re-appeared moments later to perform his songs ‘O Saya’ and
‘Jai Ho’ with a troupe of dancers. Rahman himself sang the numbers and left the audiences
thrilled with his scintillating performance.
As the double treat, his won his second Oscar of the night for “Jai Ho” that has lyrics by
Gulzar .
In his acceptance speech, Rahman thanked his entire crew and added in the end: “In my life I have had to choose between love and hate. I chose love and I am here today.”
The whole Kodak Theatre reverberated with applause.
Back home in India, a billion hearts erupted with joy.
“Jai Ho,” Rahman.
TOP OSCAR AWARDS
Best Picture
SLUMDOG MILLIONAIRE
Christian Colson
Best Actor
Sean Penn
MILK
Best Actress
Kate Winslet
THE READER
Directring
SLUMDOG MILLIONAIRE
Danny Boyle
Music
SLUMDOG MILLIONAIRE
"Jai Ho"
Music by A.R. Rahman; Lyric by Gulzar
For More information visit: http://www.oscar.com/nominees/?pn=nominees
Source: ApunKaChoice
Dev D
Cast: Abhay Deol, Kalki Koechlin, Mahi Gill, Parakh Madan
Producer: Ronnie Screwvala
Director: Anurag Kashyap
Music Director: Amit Trivedi
Lyricist: Shellee, Amitabh Bhattacharya, Shruti Pathak, Mani
Cinematographer: Rajeev Ravi
Editor: Aarti Bajaj
Art Director: Sukanta Panigrahy
Story: Anurag Kashyap, Vikramaditya Motwane
Hello hello my abhay deol has now two in a row... really he is impressing everybody with his acting first in "Oye Lucky Lucky Oye" and now "Dev D".
Must watch movie ... just see that.. ;)
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6
Part 7
after downloading all parts join them via HJsplit
how to join:- All you need to do is put this into the same folder as that of the downloaded files and just double click it) Download HJsplit
Billu Barber
Cast: Shah Rukh Khan, Irfaan Khan, Asrani, Lara Dutta,Ompuri,Kareena Kapoor,Priyanka Chopra,Deepika Padukone
Producer: Gauri Khan
Director: Priyadarshan
Music Director: Pritam
Lyricist: Gulzar, Sayeed Quadri
Cinematographer: M.Manikandan
Editor: Arun Kumar
Screenplay Writer: Mushtaque Shiekh, Priyadarshan
Story: Srinivasan
Action Director: Thyagarajan
Good movie just watch it and enjoy irfan has shown the great performance.!!
Part 1
Part 2
Part 3
Part 4
after downloading all parts join them via HJsplit
how to join:- All you need to do is put this into the same folder as that of the downloaded files and just double click it) Download HJsplit
Billu Barber
Starring: Irrfan Khan, Lara Dutta, Shahrukh Khan,Rajpal Yadav, Om Puri, Asrani
Music by Pritam
Directed by Priyadarshan
Produced by Gauri Khan
Running time 128 min
The first part of the movie was a little over the top in some comic scenes and a bit of a
drag. The movie moved to a tolerable status just before the intermission and onwards.
It started with a cheeky letter asking for a loan. Whether Billu was just a simple man or a
smart alec wasn’t clearly defined. After all the characters in the village Budhbudhe were
introduced it too abruptly shifted to some spaceship kinda setting and SRK was introduced as
the star Sahir Khan with an item number one.
Billu (Irrfan Khan) is a hairdresser (trying to be politically correct) in the sleepy
village Budhbudhe. His business is in a bad state owing to the entry of Modern Madan. He is
the butt of all jokes, his wife (Lara Dutta) is dissatisfied and the kids have a smart
mouth. But life goes on until Sahir Khan (Shah Rukh Khan) and his entourage comes to the
village for a shoot.
Don’t understand why the people greet the movie star by throwing papers at him and was
surprised to see that the roads in the village were so much better and nicely tarred than
the ones here in the city.
News spreads that Sahir (who wears really flashy jackets) is Billu’s buddy and he is put on
a pedestal and when his attempts at meeting with Sahir goes nowhere, he is derided. Then we
have the men crying - Billu for the humiliation and Sahir reminiscing about his good old
friend.
Then Billu goes back on the pedestal yet again and both friends have a very emotional
reunion. Bring out the hankies!!
SRK goes one step further and takes a dig at the whole Khan wars when pushed by the
obnoxious Dubeyji.
It’s an okay watch if you have some company and food at hand as the movie doesn’t really
absorb you too deeply.
Rating: ***
Bollywood Movie Dev D - Reviews
Cast:Abhay Deol, Kalki Koechlin, Mahi Gill, Dibyendu Bhattacharya
Assistant Director:Vasan Bala, Anand Vijayraj Singh Tomar
Cinematographer:Rajeev Ravi
Story Writer:Vikramaditya Motwane, Anurag Kashyap
Producer:Ronnie Screwvala
Banner:UTV SPOT BOY
Music Director:Amit Trivedi
Playback Singer:Aditi Sharma, Amit Trivedi, Shilpa Rao, Shruti Pathak, Labh Janjua
Lyricist:Mani , Amitabh Bhattacharya
Director:Anurag Kashyap
Toast to this new age Dev. D , folks! For it makes the pitiable protagonist of Sarat
Chandra’s ‘Devdas’ somewhat likeable.
It never ceases to amaze me that Devdas has caught the fancy of so many filmmakers. A loser in love who drinks himself to destruction hardly makes an appealing figure to me. What rather evokes interest is this drunkard’s journey through the two women in his life – Paro and Chandramukhi.
who makes the ultimate compromise and, so to speak, “moves on with life”, is the image of a
woman resigned to her fate. Chandramukhi, the courtesan who keeps pain hidden beneath her
smiles, is the image of a woman who loves her man but won’t tie him down. It’s not
incidental that this platonic quality is to be found in a character that’s intrinsically
sensual. In these intriguing personas does the appeal of Sarat Chandra’s story truly lies,
and not in its dumped, drunken and drugged Devdas.
But in ‘Dev D’, Anurag Kashyap gives Devdas a new spin. The director improvises upon Sarat
Chandra’s work by not just giving the story a modern setting but also by taking liberties –
adding his own interpretations or perspective in the edgeways, plucking out real scandals
from newspaper headlines and planting them seamlessly into the plot and, above all, choosing
an optimistic ending. For, at the end of the bottle, there ought to be hope and not death.
The strength of ‘Dev D’ lies in Kashyap’s telling. He doesn’t sweep the sexual attraction
between Dev and Paro under the carpet. So here we have Paro ( Mahi Gill ) clicking her own
topless picture and mailing it to Dev ( Abhay Deol ) who, right after seeing it, overcomes
his indecision of returning back from London to Punjab to his childhood crush. In ‘Dev D’,
it’s the egos of Dev and Paro, and not solely the misunderstanding between the two, that
spell doom for their love. And better fleshed out than Paro’s is Chanda’s character ( Kalki
Koechlin ). A school girl who becomes an embarrassment for her parents after an MMS sex
scandal, she takes to the life of a prostitute who eventually falls in love with a man
drowning his pain in Vodka.
From the mustard fields of Punjab to dingy rooms of Pahar Ganj unravels the story of the
self-destructive hero who re-discovers love after hitting the rock bottom of his life.
Kashyap deserves a toast for brewing an old wine masterfully in new bottle. But what ‘Dev D’
lacks is emotional appeal. It is too much of head and too little of heart. Save for a
touching moment when Chanda asks Dev if he still loves Paro, there’s hardly anything that
tugs at your heart. And that’s the most notable shortcoming of ‘Dev D’. It tells an
emotional story intellectually.
Performances in the film are top notch. Abhay Deol is turning out to be quite a revelation.
He hardly hams or overacts. Nor is he as muted and underplayed as he otherwise is. His is a
balanced performance. Mahi Gill has the intoxicating eyes that can make a guy kick the
bottle. On top of it, she acts wonderfully. Kalki does impressively fine for a newcomer.
With its crispy, witty and straight-out-of-life dialogues, ‘Dev D’ gives a new hue and tone
to ‘Devdas’. And the dozen or more songs that play out in the background during the course
of the film give ‘Dev D’ the feel of a musical. The cinematography is mind boggling at
times. The music is catchy. Alas, if only the film worked on your heart as much as it does
on your head. But then, it’s far from being the emotional atyachar that No Smoking was.
Rating: ****
Watch Video Review of DEV D's
Delhi 6 Songs
Cast: Amitabh Bachchan, Abhishek Bachchan, Sonam Kapoor, Atul Kulkarni, Divya Dutta, Om Puri, Gulshan Grover
Director: Rakeysh Omprakash Mehra
Producer: Rakeysh Omprakash Mehra, Ronnie Screwvala
Cinematography: Ravi K. Chandran
Editing: P. S. Bharti
Story Writer: Kamlesh Pandey
"Masakali" and "Dil Gira Gaftan" are superb songs..!!
 | Masakalli |
 | Bhor Bhayi |
| | Noor |
| | Aarti (Tumhare Bhavan Mein) |
| | Genda Phool |
| | Dil Gira Dafatan |
| | Hey Kaala Bandar |
| | Rehna Tu |
| | Dilhi 6 |
| | Arziyan |
Download all songs at one click >> Download
Billu Barber
Cast: Shah Rukh Khan, Irfaan Khan, Asrani, Lara Dutta,Ompuri,Kareena Kapoor,Priyanka Chopra,Deepika Padukone
Director: Priyadarshan
Producer: Gauri Khan
Lyrics: Gulzar, Sayeed Quadri
Cinematography: M.Manikandan
Editing: Arun Kumar
Screenplay: Mushtaque Shiekh, Priyadarshan
Story Writer: Srinivasan
Action Direction: Thyagarajan
Songs are good but "Marjani", "Jaoon Kahan" are mind blowing..
Download all songs at one click >> Download
