Aarakshan

Aarakshan - Movie Review
Cast: Amitabh Bachchan, Saif Ali Khan, Manoj Bajpayee, Deepika Padukone, Prateik Babbar, Shabana Azmi,Tanvi Azmi, Hema Malini,Chetan Pandit, Mukesh Tiwari, Yashpal Sharma, Darshan Jariwala, Saurabh Shukla, Vinay Apte, Anita Kanwar, S. M. Zaheer, Aanchal MunjalDirector: Prakash JhaMusic: Shankar Mahadevan, Ehsaan Noorani, Loy MendoncaLyrics: Prasoon JoshiCinematography: Sachin Kumar KrishnanEditing: Santosh MandalArt Direction: Jayant DeshmukhScreenplay: Prakash Jha ,Anjum RajabaliAction Direction: Prem SharmaChoreography: Jayesh PradhanCostume: Priyanka Mundada

Aarakshan. Prakash Jha’s latest film Aarakshan, which has raked up a lot of controversy, is a study in affectations. The hyperventilating characters in it move about spouting dialogue-heavy harangues armed with words like siddhant, anushasan, nishtha and a variety of other such chaste Hindi terms that a crash course in a roadside Hindi tutorial centre might help you cotton on to. And if you can endure this copious stream of filminess, you might as well resign to the fact that the film has no darned point to make. The film’s title is a misnomer. Aarakshan is not actually about Aarakshan. It’s…um…more of a muddle that no more than superficially touches upon topical issues like the commercialization of education and, of course, a bit of caste-based reservation as well.

All the hype and hoopla surrounding the movie seems much ado about nothing once you have sat through this 2-hr-45-minute long boring lecture on the ills of education system. And you walk out feeling none the wiser. A bit short-changed perhaps.

So we see Amitabh Bachchan playing a college principal as principled as there ever was. Not for him the sycophancy for the neta log trying to get their underperforming kin admitted in the prestigious Shakuntala Thakaral Mahavidyalaya he heads. Not for him the craven surrender when his principles are challenged. At home, his daughter (Deepika Padukone) and wife (Tanvi Azmi) stoically support the uptight idealist, save for minor squeaks of protest. At college, a wily professor (Manoj Bajpai) wants to take over as the principal and make an easy buck by opening private coaching centres throughout the state.

Jha proffers to present the two sides of the Aarakshan debate through the characters of a genius dalit teacher (Saif Ali Khan) and a rich student (Prateik Babbar), who are friends until the honourable Supreme Court flips open the Pandora’s box by passing an order supporting 27 percent reservation for backward classes in educational institutions.

Thereafter, we are subjected to long arguments both in favour of and against the reservation as writer Arjum Rajabali has a field day in unleashing the most turgid brand of dialoguebaazi, buttressed by heavy background score, to drive home the point that grave issues are under discussion on screen. Point taken! But why pray does Prakash Jha abandon the issue of reservation half way and turn the film into an indictment of the commercialization of education? And why does Jha make Amitabh Bachchan deliver his dialogues like he was recording a social message for the ministry of education?

Almost every actor in the movie is made to play the character and say the lines they can’t relate to. Hence the affectation. So when Saif Ali Khan rants about the ‘uthal puthal’ in samaaj due to reservation and how suppressed his own dalit samaaj has been over the years, you try hard to believe him, but only in vain. When Prateik Babbar whines about losing what’s rightfully his to someone who comes under quota, you are at pains to empathize with the unfortunate chap. Likewise, Deepika Padukone’s glib about her righteous father sounds every word as affected as the old man’s blusters about principles and righteousness. In fact, Jha manages the feat of making a talented actor like Manoj Bajpai look like a caricature.

Aarakshan offers no deep insight into the subject it claims to deal with. The arguments presented are facile, at best. But the most shocking is cavalier disregard with which Jha stunts the film’s main issue of reservation and puts the movie on a different plotline altogether, turning it into a muddle.

In short, Aarakshan is painfully pointless, boring and not a wee bit enlightening. One would rather go fly a kite than to reserve a seat for this movie.

Rating: 2.5 stars out of 5

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I Am Kalam

Cast: Harsh Mayar, Hussan Saad, Gulshan Grover, Beatrice Ordeix,Meena Mir

Director: Nila Madhab Panda

Music Director: Abhishek Ray, Papon,Madhuparna,Susmit Bose

Where truth is stranger than fiction, art would obviously imitate life. The truth of former Indian President APJ Abdul Kalam’s struggle through poverty -- we’re told he worked as a newspaper boy to fund his studies -- could ignite many an impressionable mind. The protagonist Chhotu of director Nila Madhab Panda’s directorial debut I Am Kalam is such a kid, stricken by poverty and many odds but carrying an unflagging desire to learn and be a ‘bada aadmi’ one day.

Chhotu (Harsh Mayar) is a poor precocious kid who works at a roadside dhaba in a dusty Rajasthan town to fend for his mother and sibling. He is quick-witted and has something to learn from everyone, be it picking up halting French from the tourists at the dhaba or learning English from a rich, lonely boy Ranvijay Singh (Husaan Saad), a kunwar from a nominally royal family. As Chhotu’s mother tells the genial dhaba owner Bhati (Gulshan Grover), “Chhotu ka dimag rail se bhi tez chale hai.”

If anything was needed to this tinderbox of potentiality, it’s the spark of inspiration. That comes from a republic day program on President Kalam in which Chhotu learns of the hardships the ‘missile man’ faced in his struggling days.

Thereafter, Chhotu dreams of becoming like Kalam and even takes on the name of Kalam. Thanks to his friendships with the kid kunwar and a French tourist (Beatrice Ordeix), Chhotu sets forth on the path of learning, but faces odds in the shape of a jealous co-worker (Pitobash Ghosh) and a hateful royalty that even labels him a thief.

I Am Kalam is not the usual triumph of the human spirit kind of story with a preachy sermon to boot. The film has an unassuming non-seriousness to it, despite the protagonist kid being buffeted by the blows of poverty. The smile on Chhotu’s face never fades and the sprightly demeanour never limps. A ray of hope glimmers all through the movie and yet director Nila Madhab Panda never panders to the stereotypes like a glorious triumphant moment for Chhotu in the end. No. Things are kept pretty much within the realm of reality. I Am Kalam is a story you believe in.

Kudos to child actor Harsh Mayar (winner of National Award) for breathing life into the character and the film. From the sidelines Gulshan Grover, Husaan Saad and Beatrice Ordeix chip in commendable performances.

All in all, I Am Kalam is a film that fills you with inspiration. Do watch it.

Rating: 3.5 stars out of 5

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