Roadside Romeo - Free Download Songs

So another animated movie is coming after "The Incredibles" having voice of starts Saif Ali Khan as Romeo, Juilte as Kareena and the Bad Man as Javed Jafri. Now seems like to me animated movie's will come more and more instead of the normal movie's. However the songs are really nice in the movie. So, just hear how the Roadside Romeo sings......

	Main Hoon Romeo
	Choo Le Na
	Cool Cool
	So Right
	Apni Dumm Bhi Oonchi Hai
	Rooftop Romance
	Main Hoon Romeo - Roadside Remix
	Choo Le Na - Moonlight Club Mix

Download All Songs(Full Album) at one click >>>> Download
Pass: www.mastiland.com

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Drona - Movie Review

Movie: Drona
Cast: Priyanka Chopra, Kay Kay Menon, Abhishek Bachchan, Jaya Bachchan



Still Photographer: Amit Asher
Cinematographer: Sameer Arya
Story Writer: Goldie Behl
Costume Designer: Anaita Shroff Adajania
Sound Designer: Baylon Fonseca
Production Designer: Tania R. Behl
Playback Singer: Nandini Srikar, Roop Kumar Rathod, Sunidhi Chauhan, Sunaina ,
Suzanne D'Mello, Shaan , Sadhana Sargam
Banner: Rose Movies
Producer: Shrishti Arya, Sunil Lulla
Director: Goldie Behl

Gentleladies and men. Please make way for our new local superhero – Indiana Drones. Mind you, he doesn’t embark on any trivial mission like the search for the Holy Grail. Drona fights to save nothing less than the entire srishti.

As you must have rightly guessed, director Goldie Behl lets his imagination run amok in Drona . He pieces together a visual spectacle full of mind-numbing special effects and a zillion poses of a sword-wielding Abhishek Bachchan trying hard to stand gracefully against the strong desert winds. And that’s pretty much what ‘Drona’ is all about. Visuals, and visuals, and some more visuals. Story and script may go to hell. Or still better, to the asuras.

‘Drona’tells a tale of a clan of warriors who have been protecting the supreme secret of the elixir of life – the amrit that was churned out by the gods but has been sought by the asuras (demons) since forever. Drona is the title of the main person who guards the secret.

Now, cut to the present day Prague where Aditya lives a thankless existence until one day he – guided by a hovering rose petal – finds an ancient bracelet in his cupboard and puts it on. Coincidentally, a devious magician Riz Raizada ( Kay Kay Menon ) visits the city for his show and spots Aditya and recognizes him as a potential Drona, the only person who knows (or could know) the secret place where the amrit is hidden.
You see, Riz is the modern asura who wants to be immortal by gulping down the holy amrit. And Drona is the man who possesses its secret.
Before Aditya can figure out why the heck this queer-looking magician is so interested in him (pun unintended), enters Sonia ( Priyanka Chopra ) who kicks a few butts and protects Aditya from the magician’s men. Aditya is then told about his real identity – that he is the next Drona.

So, our superhero-in-waiting flies home to Pratapgarh to take charge of his duties as the protector of the pious secret. But the evil Riz catches up with him fast. What follows is a battle between Drona and Riz, the good and the evil. And you don’t have to be an Einstein to figure out who will win this battle.

Many things don’t click in ‘Drona’. For one, Abhishek Bachchan is a poor choice to play the title role. No doubt he can act, but he doesn’t have the body and its suppleness to play the part of a warrior. A Hrithik Roshan or Akshay Kumar might have done wonders to the role, while Abhishek looks stilted in his Drona suit and is visibly uptight when he wields the sword. His sword-to-sword combat with the magician in the end is without any spark.

Priyanka Chopra – playing Drona’s shadow and protector – looks fetching in her unique outfit with a special head-gear and foot-gear. Though her role doesn’t demand exceptional histrionics, she does look convincing doing the action scenes.

Kay Kay Menon makes a caricature out of his character with his over-the-top performance. This performance stands conspicuously low in the career of an otherwise superb actor. Jaya Bachchan has a small role and is reduced to a stone statue for the most part of the story.

Goldie Behl may have intended to make an interesting film for kids and adults, but he fails to give ‘Drona’ a right shape. He seems over-fixated to make the film visually spectacular. One special effect after another is hammered into your head as if the director wants to exhibit his skill and imagination, which, alas, is borrowed from a number of films from Spielberg’s ‘Indiana Jones’ to Zhang Yimou’s ‘Hero’.

Consequently, ‘Drona’ ends up a boring, botched-up, soulless film with below-average music and sub-standard performances.

"Watch it at your own risk".

Rating: *

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Kidnap - Movie Review

Movie: Kidnap
Cast:Sanjay Dutt, Imran Khan, Minissha Lamba, Vidya Malvade, Rahul Dev, Reema Lagoo



Cinematographer:Bobby Singh
Publicity Designer:Rahul Nanda, Himanshu Nanda
Story Writer:Shibani Bathija
Costume Designer:Shilpa Bhatia Sethi
Sound Designer:Dwarak Warrier
Director:Sanjay Gadhvi
Producer:Dhilin Mehta Banner:Shri Ashtavinayak Cine Visions
Music Director:Sanjeev Vyas, Sandeep Vyas, Pritam
Playback Singer:Sunidhi Chauhan, Sukhwinder Singh, Shreya Ghosal, Adnan Sami, Akruti Kakkar, Sandeep Vyas, Suzie. Q
Background Sound:Raju Singh
Lyricist:Mayur Puri, Sanjeev Vyas, Sandeep Vyas
Music Company:Sony Music

Had it not been for Imran Khan , Sanjay Gadhvi’s movie Kidnap might have been a good nap.

Picking out plot-holes in this purported thriller can be a tedious job as tiring as a chubby Sanjay Dutt hopping across the roof-beams of an under-construction high-rise building in pursuit of his daughter’s kidnapper. Quite obviously, the lithe kidnapper slips out of his hands, just like the plot keeps slipping out of Gadhvi’s grip throughout the course of this strictly timepass film.

Theonly silver lining is Imran Khan, who, armed with his mysterious screen presence, holds you to your seat for most part of the film. But then, every silver lining has a dark cloud nearby.

The movie tells the story of a young, angst-filled man (Imran Khan) who kidnaps the daughter ( Minissha Lamba ) of a rich industrialist (Sanjay Dutt) to settle an old score. Instead of demanding a huge ransom, the kidnapper holds the businessman to ransom and plays a game with him. In the game, the kidnapper makes him do things like burgle a rival’s house, rescue a prisoner from a high-security jail, and even kill someone.

Now, there has to be a reason strong and sound enough for the kidnapper to make the businessman do such crazy things. When that subplot is revealed, the movie hits rock bottom and you somehow manage to stop yourself from pulling your hair. The subplot shows how Dutt had once wronged a teenaged boy. Without giving away the plot, I will safely add that it is so embarrassing to watch that you want to hurl your popcorn bucket to the screen, if only you hadn’t paid out of your own wallet for it.

Thriller is a genre that doesn’t allow room for much cinematic liberty. The script has to be taut and the plot must unfold in such a way that the viewer is able to piece together the jigsaw and connect the dots by the end. But what you come across in ‘Kidnap’ are a lot of missing pieces and loose ends.

Sanjay Gadhvi doesn’t rely so much on logic as on convenience. He shows the captive Minissha Lamba fashionably dressed in clothes so skimpy that they keep distracting the sullen kidnapper time and again. And as a viewer, you completely empathize with the lad. For, throughout her captivity, Minissha’s character is undeviatingly focused on her dresses, be them cleavage-flaunting gowns or hot pants with shimmering belly chains to boot.

Imran Khan holds the film together by rising above the shoddy script solely by dint of his performance. Though he doesn’t do anything stellar, there’s something about him that catches your eye whenever he is on the screen. Hot as a potato and cool as a cucumber, Imran walks through his role with menacing ease. Minissha performs well but her styling looks very odd on her character. Sanjay Dutt is okay as long as he doesn’t do action. There’s a scene in which he tells the kidnapper to go to hell, and his wife, Vidya Malvade , vents out her anger on Dutt. He turns to her and says: “you’re over-reacting”. He should’ve said “you’re over acting”.

‘Kidnap’ does have a few good sequences. The movie’s music is average and the item by Sophie Choudhary or the beach song by Minissha fails to lift your spirits.

What does kick the adrenaline is a superbly executed chase sequence in which Imran hops across buildings and climbs up scaffoldings like a monkey. For this sequence and for Imran’s performance, ‘Kidnap’ gets two stars.

Rating: **

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Golmaal Returns - Movie Preview

Movie: Golmaal Returns
Cast: Kareena Kapoor, Tusshar Kapoor, Shreyas Talpade, Anjana Sukhani, Ajay Devgan, Arshad Warsi, Celina Jaitley, Amrita Arora, Sanjay Mishra, Ashwini Kalsekar, Murli Sharma, Vrajesh Hirjee, Preeti Bhutani, Rakhi Vijan, Mukesh Tiwari, Ram Kapoor


Publicity Designer: Rahul Nanda, Himanshu Nanda
Story Writer: Rumi Jaffrey
Director: Rohit Shetty
Producer: Dhilin Mehta
Banner: Shri Ashtavinayak Cine Visions
Music Director: Shekhar Ravjiani, Vishal Dadlani, Pritam , Ashiesh Pandit
Playback Singer: Javed Ali, Anvesha Dutta, Akruti Kakkar, Earl , Benny Dayal, Suhail Kaul, Suzie. Q, Anushka Manchanda, Monali Thakur, Shekhar Ravjiani, Sneha Pant, Vishal Dadlani, Neeraj Shridhar, Kay Kay, Sunidhi Chauhan, Shaan
Lyricist: Sameer , Neeraj Shridhar, Vishal Dadlani, Ashiesh Pandit, Suzie. Q, Kumaar
Music Company:T-Series

A married man has to invent a lie for his suspicious wife to cover up the truth of a night he spent out. As the suspicious wife inspects into the matter, the husband has to invent new lies to cover up the old ones.
That’s what ‘Golmaal Returns’ promises – entertainment unadulterated.

The movie stars Ajay Devgan , Kareena Kapoor , Arshad Warsi , Amrita Arora , Celina Jaitley , Tusshar Kapoor , Shreyas Talpade and Anjana Sukhani .
The film is the much-awaited follow-up of the uproariously comic smash-hit Golmaal .

Gopal (Ajay Devgan) lives with his wife Ekta (Kareena Kapoor) who is fascinated by the saas bahu serials on television. She sees the world through the blinders of these cheesy soap operas.
Gopal’s sister Esha (Amrita Arora) has a boyfriend whom Gopal doesn’t like.

And who can forget Gopal’s dumb brother-in-law Lucky (Tusshar Kapoor) who speaks in a language that sounds like double entendres.

The story of ‘Golmaal Returns’ is set rolling when Gopal gets stuck in a yacht after saving an attractive woman Meera (Celina Jaitley) from some goons.

Both end up spending the night on the yacht and when he comes home the next day, his painfully suspicious wife Ekta smells fish.
Gopal knows it’s going to be hard to quell her suspicion so he concocts a cock-and-bull story about having stayed the night with a fictitious friend called Anthony Gonsalves.
Ekta refuses to buy his yarn and writes to Anthony (on a fictitious address given to her by Gopal) asking him to visit her.

Gopal convinces his junior at work, Laxman (Shreyas Talpade) to pretend to be Anthony. Everything goes according to plan till the address to which Ekta had written to Anthony turns out to be real!

If that isn’t complication enough for Gopal, a dead body is discovered at the location where he had saved Meera.

The Investigating Officer, Madhav (Arshad Warsi), who is Esha’s boyfriend and cannot stand the sight of Gopal, learns that the latter had been missing from home that eventful night and begins checking on him.

Madhav’s investigation results in hilarious chaos and tricky situations where a new lie must be invented at every instance to conceal the previous lie!

The misadventures of the seven characters result in a non-stop joyride, evoking laughter and culminating in a sweet but surprising climax to what promises to be the biggest comedy of 2008.

‘Golmaal Returns’ is directed by Rohit Shetty. The film is produced by Shree Ashta Vinayak Cinevision.
It is set to release on October 30.

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EMI - Movie Preview

Movie: EMI
Cast: Daya Shankar Pandey, Kulbhushan Kharbanda, Urmila Matondkar, Sanjay Dutt, Arjun Rampal, Malaika Arora, Aashish Chaudhary, Neha Uberoi, Natasha Suri, Manoj Joshi, Pushkar Jog


Cinematographer: Paramvir Singh
Story Writer: Saurabh Kabra
Costume Designer: Naveen Shetty
Sound Designer: Dilip Subramaniam
Director: Saurabh Kabra
Producer: Shabbir Boxwala, Ekta Kapoor, Shobha Kapoor, Suniel Shetty
Production Designer: Pritam Patil
Banner: Popcorn Motion Pictures Pvt. Ltd.
Music Director: Chirantan Bhatt Playback Singer: Joy , Rishi , Paarthiv , Mahalaxmi Iyer, Ninaad Kamat, Neisha , Shaan , Earl, Sanjay Dutt, Mohit Chauhan, Sunidhi Chauhan
Lyricist: Hamza Farokhi, Sarim Momin

EMI (Easy Monthly Installment) is a bittersweet satire that looks at modern day India in a mirthfully subjective way.
The movie stars Sanjay Dutt , Arjun Rampal , Malaika Arora , Ashish Choudhary , Neha Oberoi , Kulbhushan Kharbanda and Urmila Matondkar .
‘Emi’ is an engaging pick on the easy-to-get but taxing-to-hold loans and credits. It’s a narrative of interconnecting characters coming from different strata and style.

Anil and Shilpa are a young couple in love. They are contemporary, hard working, ambitious and submerged in debts. They get married against their fears of compatibility, starting their life in a brand new house.

Love and desire see no boundaries as they choose to travel to the cheapest foreign location for their honey moon which comes at a small installment. Electronics, Car, & kitchenware add to their happy dreams in small steps of more installments. As the cost of love finds various expenses for a happy matrimony their world begins to crumble.
Ryan works as a DJ for survival but is a musician at heart. He is enamored by this beautiful, zippy and hot girl Nancy and immediately falls for her. After the early, hard to get part, she soon makes her way in his life.
Against all warnings about Nancy being a gold digger, Ryan takes the plunge. He believes he is invincible and cannot be taken for a ride. But sometimes life is not a big plan….

Prerna is a beautiful lady in her mid 30’s who is coming to terms with her husband’s accidental suicide, knows that life ahead will not be easy if she does not have her husband’s insurance money coming. Her biggest hurdle is to prove that her husband was murdered – to claim his insurance money.

Prerna is ready to bend the law and is determined to get the insurance money. Rafik powder, a goon comes to her rescue, and promise to do the job for 10% of the large insurance sum of 2 crores. Prerna strikes a deal with Rafik and pays him half the money by securing a loan, hoping the job will be done.
A year passes by. Anil and Shilpa are doing the rounds of family court trying to get a divorce. Ryan can’t believe Nancy has dumped him and is nursing his broken heart and a shattered ego. Prerna has been deceived by Rafik and now does not know what to do as she has made large claims of producing the killer of her husband in court.

Their lives are affected by one common problem, that of, accumulated debts which they are unable to pay. Sometimes problems find their own solutions and such a solution in their despaired, hysterical lives, is Sattar.
Early starter Sattar, a small time goon on the streets of Mumbai, slowly graduated to running an ethically unethical profession of debt retrievals. “Good Luck Recovery” is satirically India’s No.1 money-recovering agency due to lack of rivals in the profession.

Still in his late thirties, running a monopoly business, Sattar has it all – success, money, power – until recently when he starts nursing the mind for politics, which for him is the highest berth to reach.
Sattar comes in contact with Anil, Prerna and Ryan who have defaulted on their EMI’s and are now facing their biggest crises. Sattar's fresh inclination and his falling in love offers a few solutions, which help them move ahead in life and lets him recover the dues.
With his wit, experience and new desire he changes few lives including his own.

EMI is written and directed by Saurabh Kadra. It has music by Chirantan Bhatt. The film is set to release on October 29.

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