Year: 2016
Category: Romantic
Release Date: Feb 05, 2016
Director: Vaibhav Mishra
Cast: Girish Kumar, Navneet Dhillon
Censor Ratings: (U/A)
Loveshhuda
Year: 2016
Category: Romantic
Release Date: Feb 05, 2016
Director: Vaibhav Mishra
Cast: Girish Kumar, Navneet Dhillon
Censor Ratings: (U/A)
Fitoor
Year: 2016
Category: Drama
Release Date: Feb 12, 2016
Director: Abhishek Kapoor
Cast: Katrina Kaif, Aditya Roy Kapur, Tabu
Censor Ratings: (U/A)
Jai Gangaajal
Year: 2016
Category: Drama
Release Date: Mar 04, 2016
Director: Prakash Jha
Cast: Rahul Bhat, Priyanka Chopra, Prakash Jha
Censor Ratings: (U/A)
THE PLOT
Jai Gangaajal is a story of the police-society relationship revisited. It is the story of a policewoman who happens to be from todays day and age.
Wazir
Year: 2016
Category: Action
Release Date: Jan 08, 2016
Director: Bijoy Nambiar
Cast: John Abraham, Farhan Akhtar, Amitabh Bachchan, Aditi Rao Hydari
Censor Ratings: (U/A)
The Plot
Two men play a game of chess. One of them is a detective who has lost everything in life. The other believes that his best game would be the one he plays beyond his death. The detectives life depends on the outcome of the game. Having nothing to lose, the detective plays the best game and everything in his life changes.
Natsamart Marathi Movie
Genre: Drama
Release Date: Jan 01
Director: Mahesh Manjrekar
Cast: Nana Patekar
Censor Ratings: (U)
Bajirao Mastani
Genre: Romantic
Release Date: Dec 18
Director: Sanjay Leela Bhansali
Cast: Priyanka Chopra, Deepika Padukone, Ranveer Singh
Censor Ratings: (U)
THE PLOT
For 14 years Sanjay Leela Bhansali has nursed this dream and his next directorial venture is the period romance Bajirao Mastani, based on the love story between Peshwa Baji Rao I and his second wife Mastani. Ranveer Singh and Deepika Padukone will play the two title roles, while Priyanka Chopra will play Bajiraos first wife Kashibai.
Dilwale
Genre: Romantic
Release Date: Dec 18
Director: Rohit Shetty
Cast: Kriti Sanon, Kajol , Shah Rukh Khan, Varun Dhawan
Censor Ratings: (U/A)
THE PLOT
Dilwale is a Bollywood film starring Kajol, Shah Rukh Khan, Kriti Sanon and Varun Dhawan in the lead. The ensemble cast also includes talented actors like Johnny Lever, Boman Irani, Sanjay Mishra, Varun Sharma, Kabir Bedi, Vinod Khanna to name a few. Directed by Rohit Shetty, the film is an out and out entertainer with the heart of an eternal love story. So get ready to watch Dilwale on 18th December.
Kyaa Kool Hain Hum 3
Year: 2016
Category: Comedy
Release Date: Jan 22, 2016
Director: Umesh Ghadge
Cast: Mandana Karimi, Aftab Shivdasani, Tusshar Kapoor
Censor Ratings: (U/A)
THE PLOT
The movie revolves around Tusshar and Aftabs attempt to earn money. In order to turn their fortunes around, they approach their rich friend, Krushna who lives abroad for help. Although the duo plot several quick-rich-schemes, they always end up in trouble. The story follows their journey filled with masti and double meaning comedy.
Airlift
HINDI
DRAMA | THRILLER
22 Jan 2016
Cast: Akshay Kumar, Nimrat Kaur, Lena
Director: Raja Krishna Menon
Producer: Monisha Advani, Madhu Bhojwani, Bhushan Kumar, Nikhil Advani, Aruna Bhatia, Vikram Malhotra, Krishan Kumar
Production Co: Emmay Entertainment Pvt, T-Series Super Cassettes Industries Ltd, Crouching Tiger Motion Pictures, Cape of Good Films
Music Director: Amaal Mallik, Ankit Tiwari
Airlift is an uplifting and entertaining edge-of-the-seat thriller and is the story of the biggest ever human evacuation
Tamasha Review Movie Review
Release Date: November 27 2015 (India)
Star Cast: Ranbir Kapoor, Deepika Padukone, Javed Sheikh, Nikhil Bhagal
Director: Imtiaz Ali
Producer: Sajid Nadiadwala
Production Co: UTV Motion Pictures, Nadiadwala Grandson Entertainment
Music Director: A. R. Rahman
There will be plenty reasons to watch this beautifully shot film. This is one of the good films of this year.
Shishir Gautam
Throughout the promotions of Tamasha a simple question has been raised through the trailers - Why always the same story? In the film Imtiaz Ali takes that same premise, turns it on its head and then explains why the same story!
Right at the very beginning director decodes the very basis of some of the most epic lores from Ramayan to Helen of Troy, pointing at common elements. And this is the very base of not just the story of Tamasha, but also helps build his protagonist.
In structure Tamasha is no different from Imtiaz's Love Aaj Kal or any of his other films. Guy meets girl, they have time of their lives, depart, realise and get back. But he decides to deal with a couple of questions that are often seen in reel as well as real lives. The apparent 'change' that people go through after the initial honeymoon phase. Through Imtiaz's eyes, the mechanizing of lives as we get along with chores of life as love and passion take a backseat. And as he does it he even treads into the 3 Idiots space of following your heart rather being a part of a race which we cannot win.
Imtiaz places two of the most competent actors we have from the current generation - Ranbir and Deepika - on screen to put his vision in act. And he is not let down. Ranbir proves his mettle yet again, as he delivers remarkable emotions scene after scene. But it is Deepika, who seems to be only getting better. The film's most memorable scenes are with her.
So Don and Mona darling meets in the distant French island Corsica. Sometimes Don turns into an interpol officers which Mona turns into someone else. For seven days on that island they never for once become what they actually are.Ved and Tara. And they depart. Love strikes only then..
Imtiaz uses AR Rahman to the best as some beautiful songs used to traverse time - the way Imtiaz has always done in his films. Be in with Sadda Haq in Rockstar or Main Kya Hoon in Love Aaj Kal. Considering Tamasha is set across quite a few years, the some method is using more than once.
Of course at almost two and half hours Tamasha could be longer than what you are used to these days, but it never bores. If at all, it only makes you marvel at the director's ability to understand emotions and human behavior as well. And he displays it in quite a few scenes - Tara's excitement when she meet Ved again, Ved's reaction when he meets Tara first, Tara and Ved's breakdown at a cafe, Ved's reaction to a particular word used by Tara... list goes on.
There will be plenty reasons to watch this beautifully shot film [DOP, Ravi varman]. But let's not get into too many of them. Let's just say, this is one of the good films of this year.
Source: (NOWRUNNING)
Prem Ratan Dhan Payo Movie Review
Release Date: November 12 2015 (India)Director: Sooraj R. Barjatya
Producer: KAMAL KUMAR BARJATYA, Rajkumar Barjatya, Ajit Kumar Barjatya
Production Co: Fox Star Studios, Rajshri Productions Pvt Ltd
Music Director: Himesh Reshammiya
Star Cast: Salman Khan, Sonam Kapoor, Neil Nitin Mukesh, Anupam Kher, Swara Bhaskar, Deepak Dobriyal
Should you watch the film? The question you need to ask is "Are you a Salman Khan fan?" You will find your answer... like all those happy audiences did that poured out of the theaters alongside me after watching this magnum opus from Rajshri! Shishir Gautam
Source: Now Running
Source: Now Running
NH 10 Movie Review
Cast: Rajkumar Yadav, Anushka Sharma, Deepti Naval, Neil Bhoopalam, Ravi Jhankal
Director: Navdeep Singh
Producer: Vikramaditya Motwane, Anushka Sharma, Krishika Lulla, Karnesh Sharma, Vikas Bahl, Anurag Kashyap
Music Director: Darshan Rathod, Sanjeev Rathod, Bann Chakraborty, Ayush Shrestha, Savera Mehta, Samira Koppikar
Movie review of 'NH10'. Anushka Sharma’s maiden co-production NH10 is a film to appreciate for many reasons. It is a well-written, deftly-directed thriller with a frighteningly brilliant performance by the leading lady. It’s a film so hauntingly real and credible that a viewer feels stripped of all sense of safety and security.
From the get-go, 'NH10' sucks you into its nether world of misogyny and patriarchy, a world where lawlessness is rampant and murder no big deal. It’s not a fictional world, but the one that exists cheek-by-jowl with the urban, so-called progressive India.
Into this dark, bleak and murderous scenario are thrown in two city slickers, Meera (Anushka Sharma) and Arjun (Neil Bhoopalam). As a working, married couple living in Gurgaon, the two have their first brush with the city’s ravenous underbelly when one night Meera’s car is waylaid and attacked by a bunch of hoodlums and she escapes by the skin of her teeth. The incident rattles Meera.
“Yeh shahar badhta bacha hai. Kood toh lagayega hi,” is a policeman’s explanation.
To help her get over the trauma (of the incident and not the cop’s apathy), the couple plans a getaway on Meera’s birthday. But this outing turns nightmarish when on the National Highway 10 they walk into the scene of an honour killing, and thus themselves become the target of the killers.
In a nutshell, 'NH10' is a disturbing, infuriating, blood-curdling indictment of a sordid side of our society. It’s an unpleasant reality, but the one we should learn to look dead in the eye. ‘NH10’ gives us that unvarnished, unsettling glimpse. Go for it.
Rating: ***
Source: Apun Ka Choice
Dum Laga Ke Haisha' makes Rs. 6 cr in opening weekend
The latest YRF release Dum Laga Ke Haisha grew from strength to strength in its opening weekend. The film could well be a sleeper hit.
'Dum Laga Ke Haisha' showed its dum at the box office in its first three days. Riding on a very positive word of mouth and glowing reviews by critics, the film starring Ayushmann Khurrana and introducing Bhumi Pednekar, drew in more and more footfalls with every passing day.
Since it’s primarily a multiplex film, the response was best at plexes in the metros.
Here’s the break-up of the opening weekend business:
Friday: Rs. 1.11 crore
Saturday: Rs. 2.12 crore
Sunday: Rs. 2.85 crore
Weekend total: Rs. 6.08 crore net at Indian box office.
Movie Review: 'Dum Laga Ke Haisha’ will win your heart
As you can see above, the start on Friday was pretty slow, but the business almost doubled on the second day and peaked on Sunday.
The film has got very good reviews and the newcomer Bhumi Pednekar has come in for a special praise. On top of it, a lot of celebs from Bollywood are showering compliments on ‘Dum Laga Ke Haisha’.
Good cinema doesn’t fail to get attention.
Source: Apun Ka Choice
Dum Laga Ke Haisha Movie Review
Cast: Ayushmann Khurrana, Bhumi Pednekar, Kumar Sanu, Sanjay Mishra, Alka Amin, Sheeba Chaddha, Seema Pahwa, Sanjeeva Vatsa, Shardul Rana, Chandrachoor Rai, Shrikant Verma, Mahesh Sharm
Director: Sharat Katariya
Producer: Aditya Chopra, Maneesh Sharma
Production Co: Yash Raj Films
Music Director: Anu Malik
Here at last is a YRF film with some real dum. Dum Laga Ke Haisha packs a wallop of a simple yet unconventional story told from the heart. It’s a film that makes you laugh, makes you cry, and makes you root for the protagonists as they discover love in an unexpected way.
The film is set in the 1990s, when Kumar Sanu was the king of playback singing, when audio cassettes were the staple of music lovers, when the antediluvian Bajaj scooters were the coveted ride, and when Limca was the surefire relief from acidity. In those times in Haridwar, lives a meek and timid school-dropout named Prem Prakash Tiwari (Ayushmann Khurrana), who harbours the romantic dream of marrying a svelte, jeans-clad girl but is married off by his overbearing father to an overweight girl named Sandhya (Bhumi Pednekar).
The marriage obviously doesn’t take off, as Prem is embarrassed of Sandhya every step of the way, even though she likes him.
Sandhya is a contrast to her husband in many ways. He’s thin, she’s anything but that. He’s academically challenged; she’s educated. He’s a pushover; she doesn’t take hurt lying down. The marriage comes to the point of falling apart. But then a sliver of hope and love shines through.
Dum Laga Ke Haisha is not the least bit burdened by the trappings of a big banner film. It eschews not just the mainstream clichés but also the ones we’ve come to expect from the YRF films set in small-town India.
This Sharat Katariya-directorial has its heart in the right place and it tells us that beauty isn’t skin deep. At the core of the film is a touching story that spreads its tentacles around you slowly and then devours you in a heart-warming climax.
The film recreates the milieu of the 1990s with much conviction, thanks to a swell job by the production designer Meenal Agarwal. The writing is pretty spot on and laced with wit. My only gripe is about a few unnecessary deviations the film takes in the second half.
Ayushmann Khurrana redeems himself after the forgettable ‘Hawaizaada’ with a very ‘unheroic’ performance that makes one sit up and take note. But it is the film’s roly-poly leading lady Bhumi Pednekar who walks away with a resounding applause for her very natural, effortless and yet immensely moving performance. This debutante surely knows how to make her presence felt in more ways than one.
The support cast comprising Sanjay Mishra (as Ayushmann’s father), Alka Amin (mom) and Sheeba Chadda (aunt) chip in well.
Kudos to director Sharat Katariya for telling a moving tale simply and effectively. Kudos to producer Maneesh Sharma for backing this wonderful project. And kudos to Yash Raj Films for supporting a good film.
‘Dum Laga Ke Haisha’ is the best thing you can find at the movies this week. Don’t miss it.
Rating: ***1/2
Source: Apun Ka Choice
KHILADI 786
Cast: Akshay Kumar, Himesh Reshammiya, Paresh Rawal
Director: Ashish R Mohan
Producer: Akshay Kumar
Music: Himesh Reshammiya
OMC Rating : (2.5/5)
Akshay Kumar ... Khiladi 786
Himesh Reshammiya ... Mansukh
Paresh Rawal ... Champaklal
Crew
Ashish R Mohan ... Director
Akshay Kumar ... Producer
Himesh Reshammiya ... Music Director
What can be said about a film where a couple named Mili and Bhagat conspire to bring their employer's empire down?
Mili? Bhagat? Get it?
Khiladi 786 is the kind comic orgy done in shades of green, orange and pink, which doesn't require us to strain our brain. The kicks and grunts, guffaws and chortles, the antics raillery and tomfoolery flow out unstoppered like an uncapped toothpaste tube.
The formula is simple. And stark. Get the audience to laugh at any cost. And some of it does work quite well. Shukriya.
We have a hero. No, make that a super-duper-hero, who flies across the air, pounds automobiles to a pulp with his bare fists, breaks down a jail cell's stone walls with a flick of his manly fist, gets goofy or gooey-eyed depending on his co-star on screen.
Akshay Kumar's crazily improvised performance as a sham cop borrows dollops from Salman Khan's Dabangg and Akshay's own Rowdy Rathore. The derivative derring-do doesn't diminish the impact of the italicised antics that range from the arresting to the exasperating.
Sample this. Asin (back in fetching form for the first time since Ghajini) loves a lout who is chronically incarcerated. Each time the jailed loverboy (Rahul Singh, well-cast effectively played) is about to be released, he's sent back packing for some unintentional crime or the other.
Aa ab 'lout' chalen?
The script seems to be written by someone who loves Akshay Kumar's humorous heroics and his emphatic but spoofy hijinks. Both the traits are amply accentuated in the script. "Khiladi 786" ultimately becomes a showcase for its insanely successful superstar hero's talents. Akshay, as we all know, loves to play the Punjabi Devdas. He did it effectively in Vipul Shah's Namastey London, where he stepped back gallantly to let his wife Katrina Kaif make a fool of herself with an undeserving boyfriend.
Exactly the same triangular situation crops up in the second-half of "Khiladi 786", when midway through the anarchic hilarity, Akshay decides to play the bleeding teary-eyed martyr "gifting" Asin to the aforementioned jailed jerk.
Mamta Kulkarni in the early 'Khiladi' film "Sabse Bada Khiladi" had done the airheaded lovergirl running after the wrong man. Back then, Akshay stood guard over Mamta with the same steadfast loyalty as he does for Asin.
Some things never change in our cinema. Heroines may come and go. Heroes live on forever.
A sense of continuity runs through all of Akshay Kumar's comedies. He doesn't do anything here that he hasn't done before. The trademark goofy grin and the self-deprecating humour are back. Here, the hero is desperate to get married. That's a sporting part whose subtext screams, 'Look, I am such a big star and I play a character who can't get a woman to marry me, ha ha.'
It's all done in fun, with plenty of unzippered zest and a comforting absence of vulgarity. The ensemble cast, particularly Mithun Chakraborty and Raj Babbar, catches on to the shrill sur of a music that suggests a blend of parody and homage to the Formula Cinema. So, we have long-lost brother of the hero showing up in the climax with a mocking mawkishness that Manmohan Desai would have approved of.
The music by Himesh Reshammiya is splendidly in-sync with the film's wacked-out mood. He often uses standard background effects from old Hindi films to remind us that we are laughing at conventions that never grew outdated in our cinema.
Oh yes, Reshammiya also plays an important part in the film as a hopeless inept wedding planner. It's good to see Reshammiya doing a Gujju act. He was born to play Mansukh.
As for Akshay Kumar's 'Khiladi' act, he can do the parodic paces blindfolded. Adding adrenaline to the antics are the crashing, tumbling somersaulting cars, which provide thrills in a very Rohit Shetty way.
Incidentally, one character played by Sanjay Mishra thinks he looks like Amol Palekar. And bursts into "Aanewala pal jaanewala hai" from Hrishikesh Mukherjee's "Gol Maal".
Wondering if Mishra got the wrong "Gol Maal". And did he mean Ajay Devgn instead of Amol Palekar?
"Khiladi 786" is an oddball of a dhamaka that blends slapstick with stunts. It is farcical fun from first frame to the last. Go, have a blast. ... Story/Writer
Talaash
Director: Reema Kagti
Producer: Ritesh Sidhwani
Producer: Farhan Akhtar
OMC Rating : (3.5/5)
Movie review of Talaash (No Spoilers). The Reema Kagti-directed Talaash may not be high on action and pace, but it’s a taut thriller with a suspense that hits you like a lightning bolt.
The thing about an intelligent suspense thriller is that the viewer has to give it their all. It demands attention. No character in it -- however insignificant at first glance -- is dispensable. Every dialogue can have some hidden connotation, every tenuous link can be a lynchpin, every hint a potential red-herring, and, topping it all, a plot that plays well with the possibilities, and teases, titillates and tantalizes a viewer no end. Talaash is one such thriller that leaves you teetering on the edge of your seat. But it does so slowly, caressingly, like a beautiful harlot in bed brushing her nailpainted fingers over your forehead only to disappear - poof! - when you open up your eyes.
Talaash isn’t a perfect whodunit, but in an industry bereft of intelligent thrillers, it’s sure as hell a darn good one. The story centres on the death of a movie superstar by what looks like a car accident on a seaside Mumbai road. As Inspector Surjan Singh Shekhawat (Aamir Khan) and his deputy (Raj Kumar Yadav) try to crack the case, they come across a few loose ends, a few inexplicable clues and connections involving a slew of characters like the deceased actor’s close friend, or a pimp with stashed booty, or the pimp’s limping errand boy (Nawazuddin Siddiqui), or a streetwalking prostitute (Kareena Kapoor). The needle of suspicion even wavers at Inspector Shekhawat himself.
Shekhawat and his wife (Rani Mukerji) haven’t got the closure on the death of their adolescent son by drowning. The guilt Shekhawat harbours in his heart for his son’s death is the wedge in the couple’s once-happy now-joyless marriage. It keeps him awake at nights and her seeking solace in the séances of a psychic medium (Shernaz Patel).
It’s an intriguing web that the writers Reema Kagti and Zoya Akhtar weave. It has greed, blackmail, extortion, murder, suppressed grief, guilt, anger, and above all the suspense to knock the daylights out of you. Mind you, there would be some people rubbishing it as paranormal tosh, but a little allowance on the part of a viewer will make Talaash work like the best thriller seen in Bollywood for ages.
Kudos to the entire Talaash team for that, not the least the director Reema Kagti for a confident handling of a story that has wheels within wheels. Reema’s screenplay opts for gentle flow over speed, for brains over brawns, for emotions over action. And she extracts terrific performances from the leading cast of Aamir Khan, Kareena Kapoor and Rani Mukerji. Aamir is the grieving, seething, guilt-stricken cop who’s at the same time alert and smart. Kareena is the coy tart, given to subtle seductions through her eyes and words more than anything outright risqué. Rani is the depressed housewife, a role she could have played even in half sleep. On the sidelines, Nawazuddin Siddiqui is the scene stealer with a limping walk and scalding glare.
Thankfully, the songs by Ram Sampath are never intrusive in the screenplay but are segued seamlessly into the plot. The cinematography by K. U. Mohanan lends a distinct nocturnal mood to Talaash, the interplay of light and shade itself lending a quality to the characters. The dialogues by Farhan Akhtar and Anurag Kashyap are at times bawdy (Kashyap’s pen apparent there), at times layered with meanings. They acquire weightage particularly in retrospect once the suspense unravels. And what an unraveling it is.
Just one request. Don’t reveal it to your friends. Let everyone trip on being hit by this lightning bolt of a suspense.
Rating: ***1/2
LIFE OF PI
Cast: Tobey Maguire, Yann Martel, Grard Depardieu, Frenchman, Irfan Khan, Tabu
Director: Ang Lee
Producer: Gil Netter, David Womark, Ang Lee
OMC Rating : (3/5)
A much-awaited film released amidst a lot of buzz, Life Of Pi, is thought-provoking too. It makes you debate the existence of God and ponder over human values.
In a way, that is the crux of the film, as Ang Lee sets out to convey this message through his protagonist Pi Patel, in a visually powerful and aesthetic film.
In a poignant, yet, simply told story, of animal instinct vs intrinsic human values of trust and friendship, which involuntarily tugs at your heart strings, Lee seamlessly amalgamates God's three creations - man, animal and nature.
Pi is crestfallen as he witnesses his companions, the zebra, hyena, an orangutan, and many more gradually lose their fight for survival and he is left with Richard Parker, a Royal Bengal Tiger, as his sole companion.
Pi, who seeks a safe shore after the ship-wreck, is actually in search for answers to several deeper questions.
The 17-year-old Pi's trials and tribulations with Richard Parker, on a 26-foot life raft, after he loses his entire family in a storm aboard the Japanese freight ship en route to Canada, take up the maximum screen time.
But as a viewer you're not complaining. Engrossing and a visual indulgence, you enjoy every moment, save a few, stretched with cinematic liberty and fantasy.
There is a right balance of drama and brilliant visual effects as Pi's struggle unfolds as a never-ending saga on screen. Lee's depiction of the relationship between Pi and Richard Parker, subtly teaches us several lessons.
When in Pondicherry, as the owner of the zoo, Pi's father had given him a graphic lesson of how "Animals will always be Animals." But the humane young Pi could not readily accept it. The truth in his father's statement rings clear, when at the end of their ordeal, Richard Parker, having reached his habitat, moves ahead, without casting a second glance in Pi's direction. Although Pi does not term this act as "ungrateful", it haunts Pi, leaving an indelible scar on his mind.
The entertainment value may be low during parts of Pi's voyage, but Ang Lee compensates for it in ample measure by the rich technical excellence he uses. Whether it is the turbulence of the storm, or the flying fish or innumerable meerkats lining an island, Lee holds you completely.
Suraj Sharma, as an adolescent Pi, steals the thunder from all other veteran actors, in an honest and spontaneous portrayal. Irrfan Khan is flawless as a narrator and older Pi, reliving his early days in Pondicherry, and narrating his ordeal on the Pacific.
The teary-eyed Pi seeking meanings in Richard Parker's betrayal is touching. Tabu as the mother effortlessly sails through her role, but it is her husband, Adil Hussain, whose true-to-life delineation as the owner of the zoo, conversant with life's lessons and eager to have his sons imbibe those, is convincing. Ayush Tandon, the youngest Pi, is adorable and confident.
It is Lee's film all the way, without a doubt, but director of photography Claudio Miranda and production designer David Gropman deserve a special mention for the marvel they have together created. The animation has been cleverly integrated, giving it a real feel.
The screenplay by David Magee, based on a novel by Yann Martel, may have its own interpretations of religion, with which one may not agree. But, the life's lessons taught are truly universal. And that is what Lee has beautifully encapsulated in "Life of Pi". "A soulful film with a universal appeal" is after all what Ang Lee set out to make.
Source: apun ka choice
Upcoming Bollywood Movie
January
February
March
April
May
June
July
August
September
October
November
December
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Jan 6 | Players | Abhishek, Sonam, Bobby, Bipasha, Neil, Omi Vaidya | Abbas-Mustan | Thriller, Action |
| Jan 13 | Chaalis Chauraasi | Naseeruddin Shah, Atul Kulkarni, Kay Kay Menon | Hriday Shetty | Comedy, Crime |
| Jan 13 | Ghost | Shiney Ahuja, Sayali Bhagat | Puja Jatinder Bedi | Horror |
| Jan 13 | Sadda Adda | Karanvir Sharma, Rohin Robert, Bhaumik Sampat | Muazzam Beg | Drama |
| Jan 13 | Tutiya Dil | Suzanna Mukherjee, Sidhant Kapur, Nikhil Sabharwal | Amit Khanna | Drama, Romance |
| Jan 26 | Agneepath | Hrithik Roshan, Priyanka Chopra, Sanjay Dutt, Rishi Kapoor | Karan Malhotra | Action, Drama |
February
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Feb 3 | Staying Alive | Anant Mahadevan, Saurabh Shukla, Chandan Sanyal | Anant Mahadevan | Social |
| Feb 3 | Gali Gali Chor Hai | Akshaye Khanna, Shriya Saran, Mugdha Godse | Rumi Jaffery | Comedy, Drama |
| Feb 10 | Ek Main Aur Ekk Tu | Imran Khan, Kareena Kapoor | Shakun Batra | Romance, Comedy |
| Feb 17 | Ek Deewana Tha | Prateik Babbar, Amy Jackson, Omi Vaidya | Gautham Menon | Romance |
| Feb 24 | 5 Ghantey Mien 5 Crore | Meera, Abhishek Kumar, Shawar Ali, Rashid Khan | Faisal Saif | Horror |
| Feb 24 | Jodi Breakers | R Madhavan, Bipasha Basu, Omi Vaidya | Ashwini Chaudhary | Romance |
| Feb 24 | Tere Naal Love Ho Gaya | Riteish Deshmukh, Genelia D'Souza | Mandeep Kumar | Romance, Comedy |
| Feb - | Shanghai | Abhay Deol, Emraan Hashmi, Prosenjit Chatterjee, Kalki Koechlin | Dibakar Banerjee | Thriller, Romance |
| Feb - | Tukkaa Fitt | Mahaakshay Chakraborty, Rajpal Yadav, Mahesh Manjrekar, Vaishali Desai | Shawn Arranha | Romance |
March
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Mar 2 | London, Paris, New York | Ali Zafar, Aditi Rao Hydari | Anu Menon | Romance, Comedy |
| Mar 9 | Chaar Din Ki Chandni | Tusshar Kapoor, Kulraj Randhawa, Anupam Kher, Om Puri | Samir Karnik | Romance |
| Mar 9 | Kahaani | Vidya Balan | Sujoy Ghosh | Thriller, Drama |
| Mar 9 | Paan Singh Tomar | Irrfan Khan, Mahie Gill | Tigmanshu Dhulia | Crime |
| Mar 23 | Agent Vinod | Saif Ali Khan, Kareena Kapoor | Sriram Raghavan | Suspense |
| Mar 23 | Blood Money | Kunal Khemu, Amrita Puri | Vishal Mahadkar | Thriller |
| Mar - | It's My Life | Harman Baweja, Genelia D'Souza, Nana Patekar | Anees Bazmee | Drama |
| Mar - | Life Reboot Nahi Hoti | Rajat Barmecha, Meiyang Chang, Jennifer Winget | Avinash Nanda | Thriller, Romance |
April
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Apr 5 | Housefull 2 | Akshay Kumar, John Abraham, Riteish Deshmukh, Asin, Jacqueline | Sajid Khan | Comedy |
| Apr 6 | Kyaa Super Kool Hain Hum | Tusshar Kapoor, Riteish Deshmukh, Bipasha Basu, Angela Jonsson | Sachin Yardi | Comedy |
| Apr 20 | Bittoo Boss | Pulkit Samrat, Amita Pathak | Supavitra Babul | Comedy |
| Apr 27 | Ferrari Ki Sawaari | Sharman Joshi | Rajesh Mapuskar | Sports |
| Apr 27 | Jannat 2 | Emraan Hashmi, Randeep Hooda, Prachi Desai | Kunal Deshmukh | Crime, Thriller |
| Apr 27 | Tezz | Anil Kapoor, Ajay Devgn, Mohanlal, Kangna Ranaut | Priyadarshan | Action |
May
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| May 11 | Luv U Soniyo | Tanuj Virwani, Neha Hinge | Joe Rajan | Romance |
| May 18 | Luv Shuv Tey Chicken Khurana | Kunal Kapoor, Huma Qureshi | Sameer Sharma | Comedy |
| May - | Gangs Of Wasseypur | Manoj Bajpai, Nawazuddin Siddiqui, Piyush Mishra, Shabana Azmi | Anurag Kashyap | Crime |
| May - | Ishaqzaade | Arjun Kapoor, Parineeti Chopra | Habib Faisal | Romance |
| May - | Rock The Shaadi | Abhay Deol, Genelia D'Souza, Preeti Desai | Navdeep Singh | Comedy, Romance |
June
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| June 1 | Talaash | Aamir Khan, Kareena Kapoor, Rani Mukerji | Reema Kagti | Suspense, Drama |
| June 15 | Rowdy Rathore | Akshay Kumar, Sonakshi Sinha | Prabhu Dheva | Action |
| June 22 | Teri Meri Kahani | Shahid Kapoor, Priyanka Chopra | Kunal Kohli | Romance |
| June - | Dangerous Ishq | Karisma Kapoor, Rajneesh Duggal | Vikram Bhatt | Thriller |
July
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| July 6 | Bol Bachchan | Ajay Devgn, Abhishek Bachchan, Kareena Kapoor, Asin, Prachi Desai | Rohit Shetty | Comedy |
| July 13 | Barfii | Ranbir Kapoor, Priyanka Chopra, Ileana D'Cruz | Anurag Basu | Comedy |
| July 13 | Cocktail | Saif Ali Khan, Deepika Padukone | Homi Adajania | Romance |
| July - | Student Of The Year | Siddharth Malhotra, Varun Dhawan, Alia Bhatt | Karan Johar | Drama |
August
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Aug 10 | Ek Tha Tiger | Salman Khan, Katrina Kaif | Kabir Khan | Thriller, Romance |
| Aug 17 | Once Upon A Time In Mumbaai 2 | Akshay Kumar, Ileana D'Cruz, Sonakshi Sinha | Milan Luthria | Crime |
| Aug 30 | Joker | Akshay Kumar, Sonakshi Sinha, Shreyas Talpade, Minissha Lamba | Shirish Kunder | Sci-Fi |
| Aug 31 | Raaz 3 | Emraan Hashmi, Jacqueline Fernandez, Bipasha Basu | Vikram Bhatt | Thriller, Suspense |
September
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Sep - | 2nd Time Lucky | Prateik Babbar, Ahana Deol | Shoojit Sircar | Romance |
| Sep - | Heroine | Kareena Kapoor, Arjun Rampal, Arunoday Singh | Madhur Bhandarkar | Drama |
October
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Oct 26 | Lootera | Ranveer Singh, Sonakshi Sinha | Vikramaditya Motwane | Romance, Period |
| Oct - | Department | Amitabh Bachchan, Sanjay Dutt, Anjana Sukhani, Rana Daggubati, Naseeruddin Shah | Ram Gopal Varma | Action, Crime |
| Oct - | Yeh Jawani Hai Deewani | Ranbir Kapoor, Deepika Padukone | Ayan Mukerji | Romance |
November
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Nov 30 | Race 2 | Saif Ali Khan, Anil Kapoor, John Abraham, Deepika Padukone | Abbas-Mustan | Thriller, Suspense |
| Nov 30 | Son Of Sardar | Ajay Devgn, Sonakshi Sinha, Sanjay Dutt, Juhi Chawla | Ashwani Dhir | Action |
| Nov - | Khiladi 786 | Akshay Kumar, Himesh Reshammiya, Paresh Rawal, Ileana D'Cruz | Ashish R Mohan | Action, Comedy |
December
| Release Date | Film-Title | Star-Cast | Director | Genre |
|---|---|---|---|---|
| Dec - | Dabangg 2 | Salman Khan, Sonakshi Sinha | Arbaaz Khan | Action, Romance |
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